【作者】 刘静；

【导师】 胡建军；

【作者基本信息】 江西师范大学 ， 声乐教学与理论研究， 2007， 硕士

【副题名】老版赣剧《还魂记》与新版赣剧《牡丹亭》音乐之比较

【摘要】 二十世纪50年代末,著名戏剧家石凌鹤先生将明代戏剧家汤显祖的传世之作《牡丹亭》进行改译,用江西具有代表性的地方大戏剧种赣剧中的弋阳腔演出,由当时脱颖而出的江西省赣剧团著名演员潘凤霞、童庆仍联袂主演。此剧一搬上舞台,不仅演红了祖国的大江南北,还受到许多老一辈党和国家领导人的赞赏,毛泽东主席更是给予了“美、秀、娇、甜”的高度评价。近半个世纪后的2003年,拥有丰富的艺术资源的江西师范大学,采用校园与戏曲联姻的举措,对《牡丹亭》进行重新打造,运用现代艺术的一些表现手段,演绎出一部新版赣剧《牡丹亭》,受到演艺圈的瞩目和广大观众(尤其是年轻人)的喜爱。从老版赣剧《还魂记》到新版赣剧《牡丹亭》,既有艺术上的传承性,而更多的是对这出古典名剧的重新打造。如果说,老版赣剧《还魂记》的音乐从整体上来说,更多地是给人以古典艺术之美的感受的话,那么新版赣剧《牡丹亭》的音乐,则不仅体现了古典戏曲艺术之美,而更多地赋予了其现代艺术的品格。本人由于对赣剧艺术的炽热喜爱,并自始至终地关注和参与了新版赣剧《牡丹亭》的排练,见证着她的酝酿、诞生和发展,现就老版赣剧《还魂记》与新版赣剧《牡丹亭》的音乐作一些比较,为探索当代戏曲音乐的改革与发展,进行一些理论上的探讨,以便寻求赣剧艺术的发展规律,更好的为其沿着良好的发展轨迹前进尽一份绵薄之力。关于赣剧的继承和发展,以老版赣剧《还魂记》和新版赣剧《牡丹亭》为例研究其创新之处,本人研究为首例。因此,为了探讨老版赣剧《还魂记》和新版赣剧《牡丹亭》在音乐上的不同处理手法和艺术经念,本文通过采取倒叙的手法,先由新版赣剧《牡丹亭》的缘起背景和意义进行阐述,引出为什么要打造新版赣剧《牡丹亭》。其一是由于经典剧目必须继续传承,使之常演不衰;其二,推出经典剧目符合高雅艺术进校园的目的;其三,继承和发展赣剧。从这一系列的缘由再回顾到第二章赣剧的形成历史极其现在的发展概况,以及回顾老版赣剧《还魂记》,比较新版赣剧《牡丹亭》的音乐,进行一番较为全面而深入的剖析,推陈出新,以探寻在新的历史时期戏曲音乐改革的新思路、新方法。更多还原

【Abstract】 Content: 20th century, the late 1950s, Mr. Shi Ling He famous dramatist Tang Xianzu in the Ming Dynasty Dramatists handing translation carried out for "The Peony Pavilion", Jiangxi representative with the local opera drama Gan Yi-yang comic performances Theater then emerge from the well-known actor Panfengxia Ganzhou in Jiangxi Province, Tong Qing still starring together. Produced by one onto the stage of the motherland is not only the country’s red, has also been appreciated by many of the older generation of party and state leaders. Chairman Mao Zedong was given the "beauty show, Jiao and sweet," and spoke highly of it. Nearly 50 years after the 2003 and have rich resources for arts and Jiangxi Normal University. Facilitates use of the campus and the opera moves to re-create the "Peony Pavilion", Use modern means of artistic performance, a new version of Jiangxi interpret drama "The Peony Pavilion" and the audience’s attention by the entertainment world (especially young people) love.From the old version of Jiangxi Gannan "the resurrection" is the new drama "The Peony Pavilion" to both the artistic heritage, And more and more out of this is to re-create the classical plays. If we say that the old version of Jiangxi Province, "the resurrection" is the music from the whole, more people are feeling the beauty of the classical art, then Jiangxi new musical drama "The Peony Pavilion", Art is not only a manifestation of the beauty of classical opera, and given its more modern art to the character. I love the heat because of Jiangxi drama arts, and always paying attention to and participate in the new version of Jiangxi opera "The Peony Pavilion" in a program that She brewing witnessed the birth and development Jiangxi is on the old version of "the resurrection" is the new Jiangxi opera "The Peony Pavilion" and the music for some, for the reform and development of contemporary operatic music, some theoretical study Jiangxi drama development of the arts in order to seek better track of their progress along a good portion of the development will help in some way.Jiangxi drama on the inheritance and development Jiangxi to the old version of "the resurrection" is the new Jiangxi opera "The Peony Pavilion" and a case study on its benefits to my studies first.so,To explore the old version and new version of Jiangxi Gannan "the resurrection" is a musical drama "The Peony Pavilion" on the different approaches and the arts scriptures. roentgenographic files were reviewed retrospectively adopted this approach, Jiangxi first new opera "The Peony Pavilion" explained the origins of the background and significance. Why build new leads Jiangxi opera "The Peony Pavilion". One is the classical repertoire must continue to memory, so often his popularity; Second, the introduction of the classical repertoire with the purpose of Excellence in the Arts in schools; Third, the inheritance and development of Jiangxi drama.更多还原