荆州花鼓戏音乐研究

【作者】 吴靓；

【导师】 蔡际洲；

【作者基本信息】 武汉音乐学院 ， 音乐学， 2007， 硕士

【摘要】 文章以荆州花鼓戏的主要声腔、传承情况和生存现状为对象,运用民族音乐学的方法,对其进行了初步研究。全文分为上篇、中篇和下篇三大部分。上篇,运用定量与定性相结合的分析方法,研究了高腔和圻水腔在不同历史时期发生的变化,从而探究荆州花鼓戏音乐形态的变迁。中篇,运用实地调查的方法,考察了荆州花鼓戏音乐在从业者和非从业者中的传承状况。下篇,以现今荆州花鼓戏流行地的专业团体和民间戏班为对象,调查了荆州花鼓戏音乐的生存现状。更多还原

【Abstract】 Based on the main Shengqiang(voice and tune), succession situation and the current status of Jingzhou Flower-drum opera, the present researcher adopted the methodologies of Ethnomusicology and studied Jingzhou Flower-drum opera tentatively. This thesis is divided into three parts. The first part studied high tune-pattern and Qishui tune-pattern diachronically with qualitative analysis and quantitative analysis, which shed light on the vicissitudes of the musical configuration of Jingzhou Flower-drum opera. In the second part, the present researcher investigated the practitioners and non-practitioners to study the transmission situation among them. Finally, professional corps and folk groups of Jingzhou Flower-drum opera at its prevailing area were studied to get an overall picture on the current status of Jingzhou Flower-drum opera.更多还原