【作者】 李艳；

【导师】 贾益民；

【作者基本信息】 暨南大学 ， 文艺学， 2006， 硕士

【摘要】 二十世纪八十年代以来，西藏，作为叙事背景，作为一个意象，频繁的出现在中国文学作品中。尤其是阿来的《尘埃落定》，更是把藏民族文学，把西藏近距离地带到了人们面前，批评家们对阿来的《尘埃落定》纷纷著文，而对阿来笔下西藏的整体意象的论述有所忽视。 本文试图采取文本分析的方法，在分析阿来笔下西藏想象内容的基础上着重论述阿来笔下想象西藏的策略。最后阐明为什么会有西藏想象及对西藏不同的书写形式。 本文站在整体文化基础上，用比较的眼光来看文化的交汇与交融现象。以期尽可能真实全面地反映阿来笔下的西藏想象。更多还原

【Abstract】 Tibet, as a narrative background, an imagination, is frequently presented in the Chinese literatures since 1980s. Alai’s dust settled brings the literatures about the Tibet people、 the imagination of Tibet close to all the people especially, so the images of Tibet capture the popular imagination. There are many critical theses to dust settled, but they have the neglects of the imagines of Tibet as a whole in Alai’s literatures.The way of text-analyzing is used in this thesis. Based on the analyzing of the imagination of Tibet in Alai’s literatures, Our emphasis is to discuss the writing styles about how to describe some aspects of Tibet. At last we discussed why there is an imagination of Tibet and why there are different writing styles about Tibet.Grounded on the foundation of the whole culture, we gave an insight into the phenomena of different cultures merging and absorbing into each other, expecting to reflect the imagination of Tibet in Alai’s literatures truly and roundly.更多还原