【作者】 张帆；

【导师】 刘亚丁；

【作者基本信息】 四川大学 ， 比较文学与世界文学， 2006， 硕士

【摘要】 本论文主要研究艾特玛托夫小说的假定性艺术特征。 全文共分为四个部分。 在导论中，我们先简要回顾艾特玛托夫的创作历程。然后综述国内外对艾特玛托夫的研究状况和存在的问题，并提出本论文的研究方向：艾特玛托夫的小说创作具有明显的假定性倾向。 论文的第一章分为两个小节，第一节分别从动物的人格化特征和动物视角两个方面探讨其作品中的拟人化手法。第二节，讨论其作品中对神话传说的引用，并探究其作品中的神话模式和神话结构意义。 论文的第二章从文艺作品与现实的关系入手，指出艾特玛托夫的作品富含深刻的意蕴，具有强烈的道德探索和哲理批判精神，只有从象征的角度入手，深刻领会作品中各种假定性形式的内涵，才能真正把握小说的主旨。 论文的结语简要归纳艾特玛托夫小说中的假定性艺术特征，说明艾特玛托夫小说中的假定性手法在苏联当代文学史上具有开先河的意义，并由此奠定了他的文学地位。更多还原

【Abstract】 The paper is a study of the suppositive artistic feature in Aitmatov’s works.The paper consists of four parts.In introduction, the writing history of Aitmatov and the worldly states studying and problems existing on him will be briefly given, then produces the objective of the study which is the obvious suppositive tendency in Aitmatov’s works.The first chapter of this dissertation is constituted of two inherent parts. The first part discusses the use of personating technique from the anthropomorphized feature and viewing angle of animals; the second part studies the myth pattern and myth structure meaning in his works by referring to the mythologies.The second chapter tells the profound significance in Aitmatov’s works from the relationship between literature and realism, stressing that only symbolic reading can reach the works’ inner meanings of various suppositions and the author’s intentions.The conclusion makes a brief generalization of suppositive artistic feature in Aitmatov’s works, illustrates that the author is the forerunner by using the suppostive writing style in his novels in the contemporary literature history of the Soviet Union, which establishes his position in literature.更多还原