【作者】 李薇；

【导师】 袁勇麟；

【作者基本信息】 福建师范大学 ， 中国现当代文学， 2006， 硕士

【副题名】台湾当代女作家的“鬼话”

【摘要】 “鬼话”强调的是一种文本书写风格，即对“鬼”这一特殊的文化现象进行叙事、传达想象并诉求于一定的美学效果，是有关“鬼”的具体修辞风格和修辞想象，包括写鬼的故事、塑造鬼的形象、营造鬼的氛围、在文本中穿插关于鬼的叙事以及以“鬼”的符号为修辞特征等写作现象。台湾作为传承而又疏离于中华民族传统文化的特殊文化场域，提供了大量创作“鬼话”的现实基础，这使成长在这个文化空间中的当代女性作家，得以结合自身的性别特质，创作出不少“鬼话”：从“女鬼”塑形到意象氛围，从童年追溯到隐形叙述，都透露出独特的美学意义呈现，她们以对“鬼”这一生命异类形态的书写、想象、思考，表达了她们不同于男性的生命感受和生命特征。我们有可能通过“鬼话”这一文学创作现象，观察台湾当代女作家的生存处境和生命感受。更多还原

【Abstract】 "Discourse of ghost" emphasis a style of ghost narration, i.e. narration and expression of "ghost", a special cultural phenomenon, to reach a aesthetic state; concrete rhetoric style and rhetoric imagination which covers ghost stories, ghost images, ghost atmosphere and ghost narration in texts, writing phenomenon of "ghost" rhetoric symbol characteristic. Taiwan, a region which inherits from China’s mainland and keeps distance from China at the same time, offers much reality foundation for "ghost discourse" creation as a special cultural field. This makes it possible for women writers in Tainwan be able to create many "ghost discourses" with their own sex nature: from creation of "women ghost" to image atmosphere, from childhood recall to hidden narration, their creation display unique aesthetic meaning. Their narration, imagination and thoughts on "ghost", a special alien being state, express their special living sensation and life characteristic which are so different to males. We can observe their living state and living sensation of women writers in Tainwan through this literature creation phemenon: "ghost discourse".更多还原