【作者】 朱国林；

【导师】 蒋长栋；

【作者基本信息】 湘潭大学 ， 中国古代文学， 2006， 硕士

【摘要】 洪炎生活在南北宋之交,是江西诗派早期一位重要的诗人。他的诗既有其时代与流派特色,又有他自身鲜明而又独具的特点。有关洪炎生平的记载仅存于前人的诗话与笔记中,且多为零散之语,或记之不详,或说法不一。对此,本文作了一些较粗略的考证,主要有以下几点:1、生卒年代。2﹑家庭身世。3﹑治学与交游。4﹑中举与仕历。洪炎的诗歌现存不多,只有一百一十几首,绝大多数存于他的诗集《西渡集》中。目前笔者所能找到的《西渡集》之版本有五种,本文对这五种版本作了简略说明。前人对洪炎的诗关注程度不够深入,评论较少且缺乏系统性。本文在前贤研究的基础上对洪诗作了较为全面而客观的研究。着手点主要从洪炎诗歌的思想感情与艺术风貌两方面展开论述。洪诗之情志,表现出一种以儒为主杂以道禅的思想倾向,愤怒的谴责、激昂的呼声、热切的愿望时时出现在洪炎的诗歌中;哀时伤乱的情感基调贯穿于其中:生值乱世,前途渺茫的忧心、有家难归的惆怅、直面现实的无奈等情感充满洪炎的诗歌。洪诗中还有较浓厚的道家情结与禅学气味。就洪诗的艺术特色而言,洪炎作为江西派诗人,既有时代之共性,又有个性之特色。洪诗中典故的运用体现出江西派的共同特色,他的诗歌所具有的双重意境构筑又是其艺术上的一个鲜明特点。洪诗中律诗的比重最大,占百分之七十多。其中声律拗峭与连章体组诗是其律诗的两个鲜明特点。本文希望通过对洪炎诗歌较为全面而客观的研究,使读者从一个侧面了解诗人于动荡社会中关注现实的思想情感,体察诗中所体现出来的强烈时代感与责任感,并希望通过对洪诗的研究填补江西诗派研究的一个空白,使人们进一步了解江西诗派及宋诗的一些有价值的情况。更多还原

【Abstract】 Hong Yan, who lived in the period when the Northern Song Dynasty was changing into the Southern Song Dynasty, is an important earlier poet of the school of Jiangxi poetry. His poems are characterized both by the times and the school, and by their distinctness and uniqueness.The records about Hong Yan’life can be found only in the predecessors’notes on poets and poetry, and most of them are oddments, recording things simply in content or saying things differently. Therefore, the author has done some textual research, mainly including:1.the year of his birth and death; 2.his family and life experience. 3.his doing scholarly research and making friends. 4. his passing the imperial examination and the official career. There are not many Hong Yan’s poems existing, only one hundred and ten odd, most of which exist in his The Collection of Poems, Xidu. At the moment, the author can find five editions of The Collection of Poems of Xidu and briefly explained these five editions in the thesis.The attention which the predecessors paid to Hong Yan’s poems is not quite enough. There are not much comments on his poems and they are not systematic. The author has done a comprehensive and objective research into Hong Yan’s poetry on the basis of predecessors’work. The author started the research with the emotion and the artistic style and features of Hong Yan’s poetry. In both the aspiration and the emotion aspects, Hong Yan’s poetry shows a tendency mainly towards Confucianism, mingled with the thoughts of Taoists and Buddhism. There are frequently indignant condemn, rousing shouting and earnest wish in Hong Yan’s poetry, and, an emotional keynote of lamenting for the times and sorrowing over the upheaval runs through Hong Yan’s poetry. Hong Yan lived in troubled times, his poems are full of the emotions of worry about the uncertain future, melancholy of being difficult to go back home and having no choice but only to face the reality. There are still a strong feeling of Taoists and a rich odour of Buddihism in Hong Yan’poetry. In the artistic characteristics of the poetry, as a poet of the school of Jiangxi poetry, Hong Yan was provided with both the times’generality and his personal characteristics. The use of literary quotation reflects the common features of the school of Jiangxi poetry. Double artistic conception by which Hong Yan constructed his poems is a distinct artistic feature of his personal poems. The Lüshi (a regulated verse) predominates in Hong Yan’s poetry, accounting for more than 70 percent, and sounding vigorously and connecting a set of poems under one topic are their two distinct features.The author hopes to make the readers understand from the poem aspect the emotions of Hong Yan for the reality in the turbulent society by a comprehensive and objective research into his更多还原