走进N世代

【作者】 张涵；

【导师】 曹东坡；

【作者基本信息】 郑州大学 ， 美学， 2006， 硕士

【副题名】当代流行文化个案研究

【摘要】 “流行文化”已成为在现代商品社会的审美文化中表现最具活力、最具优势的一维，无可争议地占有分布极广的市场和数量空前的受众，出现独领风骚的局面，但社会对它的负面评估也同样不可忽视。当前中国学界对“流行文化”的学理研究相对滞后，提出问题多于解决问题。如何与“流行文化”进行真正有效的对话，如何在此基础上引导“流行文化”的健康发展，并且为这种健康发展提出必要的措施、方法与新的思路，这是一个人文工作者的学术责任与社会使命。如何做好流行文化的当代性重建，这就是此学理研究的出发点。 流行音乐是理解当代流行文化的一个捷径。2001-2005年，华人流行乐坛的“周杰伦热”成了青少年的一种文化时尚。周杰伦作为台湾当红的创作歌手，无论在唱片销量、人气排名、海内外得奖数、演唱会的场次、拍电影、拍广告、为国际知名品牌代言等，连续五年声势不减。它的影响波及范围之广、受众之多、时间之久，而且是在当今中、港、台华语流行乐坛普遍低潮的大环境下，理所当然成为具有最强影响力的文化事件。对于流行文化的研究，“周杰伦”无疑是一个具有丰富现实意义的案例。 本文通过对“周杰伦”的个案研究，从“周杰伦”与中国传统文化的关系展开分析。对他的个人特质、作品的内容、形式、风格的时代性以及产生的社会效应进行阐释。周杰伦的音乐效应，不论是对中国传统文化的传承和颠覆，还是对当代背景下的多元文化(主要指当代西方文化)的借鉴与融合，在这个中西文化坐标上，周杰伦占有其不可替代的坐标点。 通过对周杰伦的个案研究，从他作为创作歌手的角度到他在流行音乐界的位置以及由他引发的一系列的文化现象的分析，我们可以看到：作为一个音乐人，他引发了流行音乐在内容、形式、风格上的巨大变化，而作为由他引发的文化现象，更让我们看到了这个时代从精神及价值取向方面同以往的彻底决裂。周杰伦的成功，最重要的，就是他对时代的深刻理解。他把一个时代的价值观念以他最适合的表达方式，通过现代社会最适合的途径，传递给了最需要它的人群。这才是真正促使我们去反思的地方。 90年代以来，中国文化多元景观的形成及文化分层的现实，标志着一个多更多还原

【Abstract】 ’The Popular Culture’, one of the most vigorous and advantageous dimensions in the aesthetic culture in modern society, obviously covers an unprecedented wide market and has been accepted by a large population. It’s a unique trend which affects the society tremendously. But, presently, the Chinese academic society lags behind in the theoretic research of ’the Popular Culture’. Specifically speaking, people raise more questions in this area than they solve them. It is an academic responsibility and a social mission for an humanitarian worker to figure out how to effectively and genuinely communicate with ’the Popular Culture’, how to guide it in a healthy way based on a good communication, and to work out new thoughts, necessary measures and methods in order to insure the culture’s healthy development, which is the departure point of the theoretic research in this area.Pop music offers a shortcut to understand modern population culture. From the year 2001 to 2005, the popularity of the pop singer Jay Zhou became a cultural fashion among Chinese pop singers. Jay Zhou, a popular singer and a composer in current Taiwan, His fame embodies in many aspects such as the sale of his pop music CD, popularity ranking, awards winning both domestic and abroad, countless times of public singing, film and advertisement in which he participated, and his image-representiveship of world famous brands. With his long, wide and profound influence, and in contrast with the vigorousless Chinese pop music industry either in China’s mainland, Hongkong and Taiwan, Jay Zhou naturally became the most influential cultural phenomenon from 2001 to 2005. Undoubtedly, it is a case of an enriched real significance with respect to modern population culture research.Through the study of Jay Zhou, this article makes an analysis on the connection between Jay Zhou and Chinese traditional culture. What’s more, the article also gives an explanation to Jay Zhou’s comtemporarization of his personality, content, form, style of his works and the social effect he has made. Either a succession and overthrowing to Chinese traditional culture or a borrowing and integration to the更多还原