【作者】 潘莉；

【导师】 梅桐生；

【作者基本信息】 贵州大学 ， 中国古代文学， 2006， 硕士

【摘要】 本文综合运用神话学、历史学和心理学等学科的理论和方法，在前贤研究的基础上对《九歌》的来源、性质以及艺术特色做了一些补正，提出了一点自己的探讨和思考。初步得出结论如下：楚辞《九歌》与夏启时期的原始九歌有一定的渊源关系，它是以原始九歌为蓝本经过沅湘当地人民改造后流传下来的一组祭祀歌曲，屈原在沅湘民间祭祀歌曲基础上改编加工而成的。楚辞《九歌》融入了屈原较强的主观感情色彩。《九歌》鲜明的戏剧化特征，已经具备了原始歌舞剧的雏形；它独特的祭歌模式和意象以及深沉的悲剧意蕴给后人以极高的艺术享受和创作启发，可以说它是中国悲剧文学的源头。更多还原

【Abstract】 The thesis, by using the theory and methods synthetically in disciplines such as: mythology, view of history and psychology etc. My article is built on the base of the researches of many pineers. In the article the writer raises some replenish suggestions about the origin,quatity and the article distinctive of The Nine Songs .and at the same time the writer raises some views as follows: The Nine Songs is revised by great poet QuYuan, and it contains the reviser’s deep emotions; The Nine Songs has intimate relationship with the original "Nine Songs" exited in the era of empire XiaQi. The Nine Songs has its distinctive wield patter, and it is the rudimentary of our modern drama. The tragic implication in The Nine Songs gives the readers excellent art enjoyment and inspire. So we can say that it is the source of Chinese tragedy literature.更多还原