【作者】 刘怡；

【导师】 朱希祥；

【作者基本信息】 华东师范大学 ， 文艺学， 2006， 硕士

【摘要】 赵树理的小说是被大家熟知的，也有很多学者从多方面对他的小说进行了研究，但是从民俗美学的角度进行研究的却很少。 民俗对于赵树理的小说有非常重要的意义。从美学的角度来看，主要有以下几个方面：一，民俗构建了赵树理小说的精神之美。民俗精神作为一种本质精神对赵树理和他的小说都产生了深刻的影响，使赵树理更加清醒地认识自己也明白了如何去创作给农民看的小说。通过创作实践，赵树理把民俗精神灌注于自己的小说中，与“五四”新思想也达到了一种和解。最后赵树理寻找到自己的创作方向，就是通过“乡村启蒙”争夺农民的话语权利。二，民俗事象对赵树理的创作的具体影响。它不但为赵树理创造了一个自由想象的空间，同时也是赵树理创作灵感产生的主要源泉。同时，这样带有乡土气味的小说，因为具有了农民式的幽默，因此特别受到农民的欢迎，打破了文艺作品与农民之间的隔阂。三，具体到每一篇作品，民俗从三个方面构建起这篇作品。民俗首先营造了一个民俗场，淡化了浓重的时代背景。其次，民俗在展开情节冲突方面起到了关键的作用。小说就是在民俗的作用下一步步走向高潮的。最后，民俗作为一种普遍力量，在完成人物性格和引起读者共鸣方面也起到了决定性的作用。四，虽然民俗对于赵树理的创作起到了相当重要的作用，但是由于赵树理本身的性格以及对文学的追求等原因，赵树理对民俗的把握逐渐变地力不从心。他本来自由的创作逐渐走向形式化、公式化。他追求的现实与民俗的浪漫形成的矛盾逐渐激化，这是他自身永远无法解决的问题。 从这个角度讨论赵树理的小说，主要的目的是想为未来的乡村题材小说的创作提供一些参考。现在的乡村题材小说的创作无疑进入了“瓶颈”时期，需要理论上的研究以突破这个束缚。这篇论文通过对民俗美的讨论，希望能为未来的乡村题材小说的创作开辟一片新的空间。更多还原

【Abstract】 Zhao Shuli’s novels are very famous in China. Many scholars research his novels from many different perspectives. But few scholar researches his novels from aesthetics of folklore.Folklore has great significance for Zhao Shuli’s novels. From aesthetics, there are mainly three aspects:1, the folklore composes the spirit beauty of Zhao Shuli’s novels. As a typical quality, folklore spirit deeply influences Zhao Shuli and his writings. Then Zhao knew himself more clearly and understood how to create the novels those for farmers. Zhao Shuli made the folklore spirit and his novels together by practicing, and the folklore spirit became reconciled with the new spirit of "五四". Finally Zhao found his own way to write novels for farmer and struggled for farmer’s rights in society.2, the folklore things influence Zhao Shuli in particular writing. Folklore things make a large space for his free imagination and it is mainly source of Zhao Shuli inspiration. Meanwhile, this kind of novels has a special humor from farmers. It’s popular in countryside and loved by farmers. The estrangement between literature and farmers disappeared.3, in every particular novel, the folklore compose a novel from three aspects. First, folklore make a space that can desalinate the times background. Second, the plot conflicts are caused by folklore contradictions. Third, as a common power, folklore completes the personage’s characters and makes resonance.4, because of Zhao Shuli’s character and his pursuit of literature, the folklore became hardly grasp in his writing. Then his free writing became formal and formulaic. His realism makes a contradiction with the folklore’s romantics. And he never resolves this contradiction.The purpose of this paper is to give some advices for the creation of countryside novels. Now, the creation of countryside novels is in a hard space. It needs helps from theories. Although the discussion of folklore beauty, I hope that can make a new space for the writing of countryside novels.更多还原