【作者】 舒开智；

【导师】 张玉能；

【作者基本信息】 华中师范大学 ， 文艺学， 2006， 硕士

【摘要】 文学经典问题是20世纪中西方文学研究的一个热点问题。论文首先从中西方“经典”释义的源溯着手,概述归纳了文学经典的三种主要品质特征:时代性与超越性的统一、民族性与世界性的统一、独创性与典范性的统一。在关于文学经典建构的动力与复杂因素的认识上,针对目前理论界存在的本质论和建构论这两种截然对立的观点,论文指出两种观点均有其合理之处,但又有片面之嫌,文学经典的形成应是“内部”要素和“外部”力量共同作用的结果。 阐释学,从作为方法论到本体论的转变对文学经典的阐释产生了深刻影响。作为本体论的阐释学认为,文学经典的阐释只是一个历史过程,永远不会终结,而是向着未来无限开放和敞开。任何一种阐释维度和视角都有其澄明的一面,又有其遮蔽的一面,经常是深刻洞见与遮蔽盲视并存。审美阐释、意识形态阐释、文化阐释这三种基本的阐释维度都有其各自阐释的必要性、合理性、适应性、阐释的洞见与遮蔽。理想的阐释效果应该是三种维度的有效结合。 消费社会、消费主义文化意识形态和图像文化的兴起与流行是当今这个时代最显著的特征。消费文化对文学经典造成了巨大的冲击和解构,改变了经典的文本存在形态和传播方式,促进了经典的世俗回归,祛除了经典的神圣光环和神秘面纱,但也消解了经典的意义深度,稀释了经典的精神内蕴;消费文化改变了文学经典存在和发生影响的文化语境和价值规范,改变了大众对经典的接受心理、接受目的、期待视野和阅读态度。随着电子媒介技术的发展,以影视为主体的图像文化的兴起对经典也产生了重要影响,使经典的生产机制和美学品格发生了显著变化,推动了经典的平民化和艺术的民主化,使大众对经典的接受方式和接受效果发生了明显改变,由过去的“线性阅读思考”方式转变为“直观视听感知”。 在当今这个消费时代的语境中,更需要重提经典的意义。经典具有重要的精神价值、文化价值和构造民族国家文化认同功能。在重构经典的过程中,要用马克思主义的辩证眼光,从时代的语境出发,继承经典中的优秀艺术精神和思想精华,让经典映照出时代的光辉。更多还原

【Abstract】 The literary canon is a hot issue in the research of Chinese literature and Western literature in 20th century. First of all, this paper begins from the original interpretation of Chinese and Western "canon", outlines and summarizes the three main characteristics of literature canon: the unity of time-spirit and transcending nature, the unity of national characters and global nature, the unity of originality and standard. When comes to the construction momentum and complex factors of literary canons ,facing the present theory of the existence and construction , the paper points out that their views are reasonable, but also one-sided opinion, the formation of literary canons should be "internal" elements and "external" forces role.Interpretation science from the methodology to the identity has a profound impact on literary canons. As an identity theory, it asserts that interpretation of literary canon is a historical process and will never end, but toward the future and open up unlimited. Any one has its perspective and focus on the clean side and the shelter side, it is often coexist of profound insights and obstacles blind. Aesthetic interpretation, ideological interpretation, cultural interpretation, the three basic dimensions have their necessity, reasonableness, adaptability, insights and shelter of interpretation. The ideal interpretation of the results should be effective integration of the three dimensions.The rise of consumption society, the consumerism culture and image-culture is the most significant feature of the contemporary era. Consumption culture has tremendous impact on the literary canons and has changed the text of the classic patterns and the dissemination of the canons. It also benefits for the return of the secular classic and removes the sacred ring Veil, but on the other hand it has clear up the meaning depth of canons and given dilution to the spirit of the canons. Consumption culture has changed the cultural context and value norms of literary canons thus changed the public acceptance psychology, acceptance purpose, vision and reading attitudes. With the development of electronic media technology, the emergence of the visual culture also had a major impact on the canon, so that classical production mechanisms and aesthetic character of the canon changed considerably. It had promoted the popularity of the canon and the democratization of arts, so that the public acceptance ways and acceptance effect of the canons experienced obvious changes, from the past "linear reading thinking" mode to "visual audio-visual communication."In today’s context of the consumption era, it becomes more necessary to mention the value of the canon. The Canon has important spiritual values, cultural values and construction identity functions of national culture. In the process of reconstructing canon,we should use the dialectical vision of Marxist, starting from the context of the age, succeed the fine arts spirit and essence of thinking, let canon reflect the spirit of the era.更多还原