【作者】 沈云霞；

【导师】 谭邦和；

【作者基本信息】 华中师范大学 ， 中国古代文学， 2006， 硕士

【摘要】 《鼓掌绝尘》是明朝末年刊印出版的一部中篇白话小说集,分风、花、雪、月四集,每集十回,合演一个故事。其中风、雪两集属于才子佳人小说,花、月两集属于人情世态小说。刊行以来数百年间,由于种种原因,小说没有得到广泛的传播和应有的重视。实际上,《鼓掌绝尘》在中国小说发展史尤其是才子佳人小说的演变过程中,有着特殊的历史地位和作用,对白话小说中篇体制的开创之功更不容忽视,而且,它还具有较高的文学艺术价值,蕴含着丰厚的历史文化内涵 鉴于此,本文分六章对其进行了较为详细的研究。第一章介绍了《鼓掌绝尘》的古今版本与作者,以及国内外研究的现状。由于许多读者对这部小说比较生疏,所以在第二章里简要介绍了故事梗概和其中的主要人物。第三章着重论述了其在中国古代白话小说发展史上的地位及影响。从古代白话小说发展的角度来看,《鼓掌绝尘》有着承前启后的过渡作用,在题材选取和创作形式上,既有承继,又有新的开创。其中花、月两集作为世情小说,在对《金瓶梅》继承的基础上,拓宽了世情小说的表现领域。风、雪两集则如望春先艳的花朵,开启明末清初才子佳人小说之风气。同时,它又开创了白话小说的中篇体式,对后世此类小说的繁荣发展起了领启之作用,因此,在中国古代白话小说发展历史上有着比较重要的地位和影响。第四章论述了它所蕴含的丰厚的历史文化价值。《鼓掌绝尘》反映明末特定历史时期所具有的独特的思想文化,其进步的婚恋观念和开放思想,对官场腐败和世风日下所流露出的时代感伤情绪,以及对民间风俗的精细记录,都艺术地再现了明末的社会现实,对了解认识明末的社会历史文化具有重要的意义。第五章则从它本色化的语言艺术、喜剧性的讽刺艺术、典型的人物形象、精严的结构布局等方面阐述了了它的文学艺术价值。最后一章,在对《鼓掌绝尘》唯心宿命观点和几点粗疏的艺术处置的分析之上,论述了它的消极思想与艺术缺憾,总结了其艺术创作的经验与教训。更多还原

【Abstract】 Applause for the peak of narrative perfection , a short story collection in modern Chinese language, published at the end of Ming dynasty, has four volumes named wind, flower, snow and moon, with each having ten chapters and one story. The wind and snow volumes are the novel of bel-esprit and beautiful woman while the flower and moon volumes are a reflection of the society. During the hundred years after its publication, it has not been widely spread and given enough attention owing to various reasons. But in fact it occupies a special position in the history of Chinese novel. Its historic contribution to the creation of medium-length novel should not be ignored. Furthermore, it has in itself a high artistic value and colorful historic and cultural connotation.For the above reasons, this text made a thorough study of it. Among the six chapters , the first one introduces the ancient and modern version, the author, and the general study of the book. The second chapter introduces the main characters in the book in brief for the fact that not many people know well about them. The third chapter discusses its position and its effects in the history of Chinese classical novel in modern language. Viewed from the development of the classical novel in modern Chinese language, it has the transitional function, and as regard to the theme and writing forms, it carries the heritage as well as creates new things. The flower and moon volumes extend the content of social novels, based on the previous achievements of Jinpingmei .The wind and snow volumes sets the type of novel of bel-esprit and beautiful woman for the end of Ming dynasty and the beginning of Qing dynasty, and at the same time it creates the mode for medium-length novel in modern Chinese language, which has a positive effect on the latter novels of this kind in terms of contents and forms. hence it has an important position and effect in the history of Chinese classical novel in modern Chinese language. The fourth chapter discusses the colorful historic and cultural connotation in the book. It is a reflection of the specific thought and culture at the end of Ming dynasty. The progressive attitude towards love and marriage, the melancholy resulted from the official corruption and degradation of society, and the accurate record of the norms and customs of the era all are artistic presentation of the society at the end of Ming dynasty, which is very important for people to learn about the history and culture of that time..The fifthchapter illustrated its artistic value from the perspective of its localized language, comedic irony, stereotype, the exquisite structure. The last chapter discusses its negative thought and artistic pitfall, based on the analysis of its idealistic foreordination and inappropriate artistic treatment.更多还原