节点文献
从全球性范畴谈中国当代水彩画创作与教育
Talk the Chinese Contemporary Water Color Artistic from the Global Category and Education
【作者】 刘永健;
【导师】 朱辉;
【作者基本信息】 湖南师范大学 , 课程与教学论, 2006, 硕士
【摘要】 二十世纪的中国水彩画历程,是在源于西方附庸油画的历史渊源和与中国水墨画天生的亲和力,构成百多年来的中国水彩画发展史:是半吸收油画、半吸收水墨画的面貌。回望这段历史,也正是这种中西文化的交融,传统与现代的碰撞中,中国水彩逐步由舶来、萌芽,发展到初步繁荣,在开始被人们不多关注的寂寞中显得热闹起来。然而,当代中国水彩画还处于少有秩序和略显繁杂的状况,这也说明它还不够成熟和完善,在热闹的后面,水彩画审美的自律性,从主体精神到形式语言上都有待纯化,这种纯化是需要艺术家在更深层面上进行思考,在表现语言上,从艺术家个性化探索和表现的同时,关照内在的民族特性和时代精神。中国水彩画现处在英国古典形态和不太长的中国水彩传统向现代形态转化、演变中,随着艺术视野的更加开阔,形式语言的丰富多样,其自身应该与其它艺术形式保持距离,达到自身“语言”的相对“纯洁”,使之走向水彩艺术语言的丰富性和独立性,是当代水彩画家们思考的课题。如何摆脱水彩画其文化传统的从属地位,最大限度地扩大水彩画的艺术表现力,探索水彩画教学新的模式,提高水彩画的艺术品格和技艺水平,加强理论研究,是创建和完善中国水彩画体系,提高当代水彩艺术品质的关键。
【Abstract】 20 centuries’ Chinese water color process, is at history origin that come from the western political satellite oil painting with draw with Chinese water black the born affinity, constitute the Chinese water color of more than 100 in the last years the development the history: Is a feature that half absorb the oil painting, half absorb water black painting. Return to hope this history, and also exactly this kind of inside west hands over to melt culturally, tradition and modern collision inside, Chinese water color gradually from Come outside to, embryo tic, develop the first step prospers, seeming to be in start quilt people not much paid attention to of lonesome the jollification gets up. However, the contemporary and Chinese water color still is placed in the rare order with the slightly complicated condition, this also explain it return not enough mature with perfect, in the noisy behind, self-discipline that water color appreciate beauty, ascend to all treat to turn purely from corpus spirit to the form language, this kind of turn purely is to need the artist to draw to go forward a line of considering in the deeper layer, in expressing language, turn the quest with express from artist’s character at the same time, the pass shines on the inside race characteristic with the time spirit. The Chinese water color is placed in the classic appearance in England now with not too long of the Chinese water color tradition faces the modern appearance conversion and turn into the inside, along with art visual field of much more spacious, phonetic and abundant variety in form, its oneself should keep with other art form distance, attain the opposite" clean and pure" of the oneself language", the alignment water color art phonetic and abundant that make with independent, is lesson that contemporary water color painters considers. How to get away from the its culture in water color traditional from belong to the position, biggestlimit an art for extending water color performance dint, investigate the new mode in teaching in water color, increase the art character of the water color with technical skill level, enhance the theories studies. Set up with the perfect and Chinese water color system to create, increase the key of the contemporary water color art quality.
【Key words】 Water color language; Contemporary and Chinese water color; Art quality; The art learns the characteristic; Limit the sex; Variety; Teaching mode; Scholarship;
- 【网络出版投稿人】 湖南师范大学 【网络出版年期】2006年 09期
- 【分类号】J215
- 【被引频次】10
- 【下载频次】416