【作者】 李蕾；

【导师】 梅宝树；

【作者基本信息】 河北大学 ， 艺术学， 2006， 硕士

【摘要】 艺术传播方式,是艺术信息流动的方式。在艺术传播活动中,艺术作品才是考察艺术传播活动的基础。中国书画艺术品作为“意象”“物态化”的存在形式,其传播方式可以分为实物传播和非实物传播两大类。实物传播是通过艺术品原件的传播方式,又包括创作者的亲身传播和艺术品的展示性传播两类。非实物传播是通过艺术意象的传播方式,又可分为大众传播和网络传播两类。中国书画艺术的以上传播方式,既有产生的一定顺序性,又有并存性,每一种传播方式都可以借助其它传播方式的优势改善和提高自身的传播效果。中国书画传播方式因传播媒介的变化而变化,而传播方式的变化又会逐渐引起人们欣赏和创作方式的变化。对书画艺术的传播活动来说,实物传播方式和非实物传播方式是一对矛盾统一体,它们相互补充,相互促进,共同推动了书画艺术的变化和发展。更多还原

【Abstract】 Means of artistic propagation is how the artistic message flows. Artistic works is the coreof investigating artistic propagation in the artistic propagation. Chinese painting andcalligraphy artistic works, as existence of imagery and materialization, can be divided intotwo classifications: material and non-material in its ways of propagation. Through the originalartistic works, the former consists of two ways itself: artist’s propagation on his own andartistic works exhibitive propagation. Through artistic imagery, the latter includes mass mediaand net. The above mentioned means can be chronological and coexisting at the same time,and any respective propagation outcome can be accentuated by rest’s advantages. Propagationof Chinese painting and calligraphy arts changes according to the medium, which in turncontributes to the adapting of the way of appreciation and creation. As far as the activity ofpropagation of Chinese painting and calligraphy arts is concerned, means of material andnon-material a contradictory unity: supplement and accelerate each other, and all togetherascribes to the alteration and promotion of the Chinese painting and calligraphy arts.更多还原