【作者】 金晶晶；

【导师】 陈进海；

【作者基本信息】 清华大学 ， 设计艺术学， 2005， 硕士

【摘要】 陶瓷灯具是指以陶瓷为主要材料制成的用于照明或其它用途的发光、发热装置,大致由造型、光源、发光形式等方面构成。我国的陶瓷灯具曾经在历史上取得了辉煌的成就,而到了现代却因为工业基础落后等原因而变得品种单一、造型陈旧,远远落后于西方国家以及我们的近邻日本和韩国。如何让陶瓷灯具再次走进人们的生活是一个颇具挑战的课题。陶瓷灯具起源于陶豆,陶豆可以称作是油灯的雏形。油灯在相当长的一段时间内都占据着陶瓷灯具的主导地位,直到三国、两晋、南北朝时期蜡烛的普及才促进了烛台的流行,但同时油灯仍扮演着重要的角色——这期间二者都曾取得了辉煌的成就。中国近代陶瓷灯具发展迟缓的主要原因是电光源取代火光源用于照明之后,传统的油灯、烛台逐渐走向没落。由于一段时期内暂时的生产力水平低下,新型陶瓷灯具没有发展起来。随着综合国力和人们生活水平的不断提高,灯具的种类逐渐变得丰富多样,玻璃灯具占据了灯具市场的主导地位,但陶瓷灯具的造型仍然停留在电光源照明时期的基本样式,几乎没有什么创新。影响陶瓷灯具创新的主要原因是光源的变化和陶瓷材料本身的工艺局限性。随着科技进步,多种新型光源的问世基本可以满足陶瓷灯具光源变化形式的要求;通过对金属、玻璃、竹木、织物等其它材料的综合利用也基本解决了工艺的难题。随着现代建筑的普及,陶瓷灯具的功能和人们的需求向多样化发展,这使现代陶瓷灯具的创作也更加有的放矢。在现代陶瓷灯具设计中,陶瓷与光源之间的关系大致可以分为透光、蓄光和反射光三种,不同的发光形式能达到不同的视觉效果,并在某种程度上改变、提升环境,或者赋予环境以新的内容。陶瓷灯具作为环境光的载体应该与环境相协调,因为只有这样,才能更好地体现其在现代社会存在的价值和意义。可喜的是,有一部分陶艺家已经开始了相关的探索和尝试,并取得了一定成绩。我们有理由相信,中国陶瓷灯具虽经历了诸多风雨,但必将因其深厚的文化内涵以及在审美和实用方面所具备的价值而再次放射出璀璨光芒。更多还原

【Abstract】 Ceramic lamp, made of ceramics, is a device for lighting, heating andother uses. The principal structure is concerned with basic considerations suchas model, light source, lighting and so on. China has been proud of its ceramiclamp technique which has magnificent achievement in history. However,owing to reasons such as poor industrial conditions, the development ofceramic light manufacture laid behind western countries as well as Japan andKorea in Asia. It is a challenging project on how to make ceramic lamp inChinese style step into modern life.Ceramic lamp is originated from pottery plate, which is also called as thebeginning form of oil lamp. In the long period of time in Chinese history, oillamp had prevailed in the form of ceramic lamp. It was not until thedynasties---Three Kingdoms Period, East and West Jin dynasties and Southand North dynasty, that candlestick has been widely used in daily life owingto the prevailed use of candle for lighting. Meanwhile, oil lamp had played animportant role accompanied by use of candle. Both devices had greatlyachieved in Chinese history.The main reason why the development of ceramic lamp was pegged after1990 is that oil lamp and candlestick came down in the world with the factthat the invention of electricity provides new form of lighting instead oftraditional way by means of fire. Limited by the low level of production in aperiod, the new form of ceramic lamp has not developed into a new stage.However, the types of lamp enjoyed a great variety due to the comprehensiveimprovement of national force and calling of increasing the standard of living.In the market of lighting utility, glass lamp has been popular with consumers.In contrast, ceramic lamp has still kept its original model stemmed fromancient time without any innovation.The main problems of restricting the innovative step of ceramic lamp fallinto two sides: the variety of light source and limitation of ceramic materialitself. With the development of technology, the new forms to derive from lightprovide the opportunity for the development of ceramic lamp because theproblem of how to get ideal light has been solved. And the comprehensive useof different materials such as metal, grass, bamboo, textile clears out the keyobstacle in the process of improving technique. With the prevailing of modernarchitecture style, the functions of ceramic lamp diversify . In this way, theycan adapt to the diversified demands of modern people. It contributes to thefact that the innovation of modern ceramic lamp serves the demand ofcommon people.For the design of modern ceramic lamp, the relationship betweenceramics and light source can be classified into three forms which aretransparency, containing light and reflection. The different forms of lightingresult in different visual effects. To a certain extent, these forms can not onlychange but also improve surrounding or embody the new content of it. As avehicle to get access to surrounding light, ceramic lamp is supposed to beadaptable to surroundings. Otherwise, it can not embody the value andsignificance of existence in modern society. Fortunately, a certain part ofceramic artists have begun to try out in the related area and made aprogress.It has been reasonably believed that through ups and down in the longdevelopment process, Chinese ceramic lamp is abound to flaming into abonfire by means of its profound content in culture and value of utility andaesthetics.更多还原