【作者】 杨萍；

【导师】 黄振定；

【作者基本信息】 湖南师范大学 ， 英语语言文学， 2005， 硕士

【摘要】 作为连接语言学和文学批评的桥梁,近年来兴起于西方的文学文体学理论,为翻译理论与实践的研究开辟了一个新的视角。文学文体学特指以阐释文学文本的主题意义和美学价值为目的的文体学派,它集中讨论了作者如何通过语言的选择来表达和加强主题意义和美学效果。该理论对于阐释文学翻译的科学性有重要意义。 纵观翻译理论界,许多学者由于过于强调文学翻译的艺术性而忽视甚至否定其科学性;然而艺术性和科学性是内在关联,不可分割的。借鉴文体学理论,通过大量实例分析,本文指出:文学翻译无论是从语言表层还是从整体效果看,只有以原文的主题意义和美学价值分析为基础,才能克服传统文学批评主观印象之不足,从而创造出既有艺术美感又忠实可信的译文;相反,若脱离主题意义和美学价值的分析,则极易造成假象对等的误译,即表面看来极具艺术性,实际却歪曲了原文真实的意义和艺术效果;文体分析理论通过对语言的分析为文学翻译的主观艺术创造提供了客观科学的方法和标准,是文学翻译艺术创造达到科学性和艺术性有机统一的重要保障。更多还原

【Abstract】 As a discipline mediating between linguistics and literary criticism, literary stylistics provides a new perspective for literary translation studies. According to stylistics, the concern of stylistics as a discipline mediating between linguistics and literary criticism can be simply and broadly defined as thematically and artistically motivated verbal choices. The author in this thesis holds that stylistics is of great significance in helping explaining the much-debated issue of the nature of translation, particularly the scientific nature in literary translation.Since literary translation is highly artistic in nature, many scholars, especially those working in the field of literary translation, often ignore or even deny its scientific nature. According to this thesis, different from common writing, translation is a linguistic activity involving bilingual conversion and should base itself on the original texts and act on the general rules of bilingual conversion. Only through the analysis of the thematic meaning and aesthetic value can there be a faithfully artistic translation; in contrast, if a translation is not based on stylistic analysis of the original, only by which can the thematic meaning and aesthetic value of the original be grasped, it is easy to make pseudo-equivalence, that is, the translation seems highly artistic but fails to bring out the true meanings and artistic effects of the original.更多还原