【作者】 王伟；

【导师】 刘景荣； 刘涛；

【作者基本信息】 河南大学 ， 中国现当代文学， 2005， 硕士

【摘要】 “霸王别姬”及其相关情节构成了中国文学史上一个极具魅力的母题。它在古典文学中具有非同寻常的文化意味,首先,它属于典型的“英雄美人”模式;其次,悲剧性的情节结构与结局大圆满的文学传统相迥异;最后,“死亡”与“爱”的相互激活与“异延”是这一母题保持恒久艺术魅力的深层原因。正文分为三个部分。第一部分主要描述“霸王别姬”母题在古典文学中的背景。司马迁“曲笔”写作的策略使“霸王别姬”母题最早、最有权威的史载——《史记·项羽本纪》成为一种具有虚构成份的“幻象”。《史记》以降,涉及到该母题的相关情节多是散落在大量历史典籍中的支离破碎的项羽形象。无论是具有虚构成分的事件本身,还是破碎的、人言言殊的人物形象,都存在着潜在的被改写的可能性。第二部分是论文的重点。主要运用叙事学的相关理论展开对“霸王别姬”母题现代流变过程的分析与阐释。郭沫若的小说《楚霸王自杀》虚设了两个人物形象:乌江亭长和钟离昧,否定了《史记》中“天亡霸王”的天命观,体现了政治话语与时代语境的契合,使母题获得了可以进一步生发的逻辑起点。张爱玲的少作《霸王别姬》以虞姬为视点人物,彰显了她早熟的女性意识,反思了女性意识觉醒的二重性,张爱玲的改写为母题意蕴的生发提供了一个崭新的性别视角。白桦的电影剧本《西楚霸王》和潘军的先锋小说《重瞳——霸王自叙》,通过对人物形象项羽、虞姬的“补白”与重新定位,对传统的历史意识进行了质疑与反思,为母题的现代发展和圆熟提供了强大的思想源泉。莫言的话剧剧本《霸王别姬》为了追求高额的商业利润,践踏了女性主体的人格与尊严,这使得他对于“霸王别姬”的改写成为一次想象“垓下”突围的溃败。第三部分是论文的总结与深化。“霸王别姬”母题的现代流变与阐释体现了一更多还原

【Abstract】 “ Farewell to My Concubine ” and relevant plots form an extremely striking motifin Chinese literature history. It has extraordinary culture meaning in the classicalliterature. At first, it belongs to typical “ hero and beauty ” mode among classicalliterature; Secondly, The tragic plot structure is different from literature decorum withsatisfactory final result; finally, the mutual activation and prolongation of “ death ” and“ love ” is the deep reason that makes this motif keeping permanent artistic charm. The text is divided into three parts. The first part describes the background in theclassical literature of the motif “ Farewell to My Concubine ” mainly. Si Maqian’swriting tactics of “ distortion of the facts ” make the most early and most authoritativehistory i.e. “ Historical Records · The biography of Xiang Yu” becoming a kind offictitious “ mirage ”; After Si Maqian’s “ Historical Records ”, image that the relevantplots of involving this motif are mostly incoherent Xiang Yu falling scattered in a largenumber of historical ancient books and records. No matter is it fictive incident itself ofthe motif to have, or the incoherent and individual personage image, the potentialpossibility rewritten exists. The second part is the focal point of the thesis, Using relevant theories of narrationto launch the analysis and illumination to the modern theology course of “ Farewell toMy Concubine ” motif mainly. Guo Moruo’s novel " Xiang Yu commit suicide "fabricates two personage image, the officer defending Dark river and Zhong Limei,denying God’s will view on " God conquered despot " against the " Historical Records "and reflecting the combination of political words and era linguistic context. GuoMoruo’s rewriting made the motif obtain a logic starting point that can grow further.Zhang Ailing’s inchoate novel “Farewell to My Concubine” reflects her early-maturingfeminism and reviews the dualism of the consciousness awaken via the concubine’sview. The adaptation of Zhang Ailing offers a brand-new sex visual angle for thegrowing of the motif’s implication. The Screenplay " the west overlord " written by BaiHua and the pioneer novel " double pupils- the overlord chats by oneself "written byPan Jun query and review to the traditional historical consciousness throughreorientating image Xiang Yu and " filling blank of the text ". Their adaptationdevelopment the modern meaning and offer a strong thought source skillfully of themotif. Mo Yan’s drama “ Farewell to My Concubine ” has trampled the personality anddignity of woman in order to pursue the great amount of commercial profit, and thismakes adaptation of his “ Farewell to My Concubine ” become a failure that imaginedbreaking out of the “ Gai-xia ” encirclement. The third part is the summary and the promotion of the thesis. Modern rheologyand illumination of “ Farewell to My Concubine ” motif have reflected certain modernideas, for instance humanization, democracy, equality, science, logos, etc., but there arealso including laggard, vulgar even moribund thinking. It is worth thinking deeply aboutthe spiritual value of the “ Farewell to My Concubine ” motif. The sprout of the motif’sspiritual value is related closely with the archetype factor of the theme “death and love”,and it is exactly the interweaving and infiltrating of “death” and “love” that make“ Farewell to My Concubine ” and relevant plots become a motif that keeps permanentartistic charm.更多还原