通过李伯安作品论水墨人物画艺术语言的转化

【作者】 张迪；

【导师】 戴成有；

【作者基本信息】 东北师范大学 ， 美术学， 2004， 硕士

【摘要】 要对水墨人物画艺术语言进行转化,就要打破传统观念的束缚，汲取外来艺术的营养，改造和发展自己的艺术语言，使之更具生命力。东西方绘画艺术语言的相互借鉴与融合，正在形成一种必然。我们说要转化，并非是要否定传统艺术语言的价值，没有人怀疑传统中国画艺术创造的辉煌和在世界艺术史上的地位，我们面对的是现实，要研究的是艺术的发展和创造，是怎样把绘画的历史再写下去，况且转化本身就是以原有的为基础，它不是传统消极的延伸，而是传统积极的发展。传统是一条链，各个历史时期的艺术创造犹如这条链上的环，一环套一环，艺术的历史因而得以不断延伸。以现代观念总结传统，发展传统，充分利用水墨构成规律来丰富和完善中国水墨人物画的艺术语言，这一点是至关重要的。本文以水墨人物画家李伯安的艺术创作为主线，主要采取理论与实践相结合的方法，通过对他的艺术作品的详尽分析阐述，使我们能够看出他独特的人物画艺术语言的形成与转化过程，为中国水墨人物画艺术语言的创新开创了一个宏大的表现模式。水墨人物画艺术语言的转化应该在立足传统的基础上去吸收借鉴其他艺术种类和观念。立足民族传统艺术的基础，摆脱对各种非艺术因素的依附，更加尊重艺术规律，是水墨人物画发展的根本。本论文的创造性成果是把人物画的笔墨语言的演进进行梳理归类，时间上主要是20世纪现代和当代,使笔墨语言的转化呈现出一个清晰的脉络。阐述真正做到理论与实践相结合，为在当今新文化的水墨人物画笔墨语言创建中，寻找到水墨人物画在内容和形式上与传统精神和时代情感的同构，为创作出符合时代的艺术作品提供一定的参考价值。更多还原

【Abstract】 In order to transform the art language of figures in chinese ink paintings, we have to break free form the traditional ideas, deriving nourishment form foreign art, reform and develop our own art language so as to make it full of vigor. It is necessary that we should draw on the experience of Western art to enrich our art language. Talking of transformation of art, that doesn’t imply we deny the values of Chinese traditional art language, for nobody doubts our brilliant traditional Chinese painting or its standing in history.What we must be faced with is how we, to develop Chinese traditional art, bring forth new ideas in art and continue to write our history of painting. In addition, transformation itself is based on tradition, which is not negative extension of tradition but active development. Tradition looks like a train of different historical periods, art creation compared to its many a ring, on which art history is bound to continue. So it is of vital mportance to sum up tradition for the purpose of developing modern art through making full use of rules of Chinese ink and wash.. This article is intended to take LiBo-ans art creation for example to link theory with practice, through analyzing his art works to explain our views about characteristics of his figures in ink painting in hope of throwing light on his novel way of art expression and its transformation process.In brief, combination of tradition and new trails are the foundation of both Chinese and Western art. Only thus can we stand proudly in family of art.The creative result of this article is-----1.to classify the languages of ink and wash2. to express ideas presented in a clear and logical way3. to search for a new way of ink and wash in modern times更多还原