【作者】 李宁；

【导师】 谢旭升；

【作者基本信息】 新疆大学 ， 英语语言文学， 2004， 硕士

【摘要】 以“文化转向”为特征的翻译研究学派，又称操控学派，以其宏观的研究视角，历史描写的客观途径，使翻译研究不再囿于语言学层面的“字比句次”，而是将纷繁复杂的社会文化规范都纳入研究视野， 在文化互动的深层理解基础上考察翻译。 本文运用操控学派的基本方法、理论对中国近代（1898－1919）小说翻译与创作的关系进行分析。动荡变革的时代特征与文学翻译所处的初始阶段使得近代中国的小说“译”与“作”界线模糊不清。小说创作传统对小说翻译在主题、描写手法、叙事模式及语言选择等方面表现出较强的规范力；同时由于小说翻译的空前繁盛，部分外来文学特征被保留对中国小说创作产生了影响，并在一定程度上改变了小说创作的规范。规范与影响并存是中国近代小说翻译与小说创作关系的基本特征。本文通过分析勾画出文学作品在异文化中传播与接受的模式图。该传播接受模式图表明译者的选择受到诸多因素的制约和规范，而并非人们想象中从源语文本到译者到译入语文本的简单过程。本文研究结论有三：译作是以译者为媒介本土社会文化规范与外来影响协商的产物；“译”的对象是“作”，翻译与创作间天然的联系无法回避，强调翻译研究对创作理论的借鉴；提出将译者标准与批评者标准分离的观点，籍此纠正目前翻译标准一身兼二职的现象，以期使翻译批评从规定走向描写。更多还原

【Abstract】 Translations Studies featured by “culture turn”, is also named Manipulation School. It adopts a historical and descriptive method with a macro perspective, which consequently has freed translation research from endless discussions of finding equivalents for words and sentences in linguistic boundaries. Translation is understood as cultural interaction with various social-cultural norms taken into consideration. The thesis, based on the basic methods and theories of Translation Studies, makes an analysis of the interaction between fictional translation and fictional creation in early modern China (1898-1919). The period of turbulent times collaborated with the preliminary stage of literary translation blurred the boundary between translation and creation. On the one hand, the creative tradition exerted regulative force on fictional translation in aspects such as theme, expressive device, narrative pattern, and language. On the other hand, as fictional translation saw unprecedented prevalence, some recurring foreign traits of literature were retained and absorbed, which soon influenced some creative norms and helped to shape new ones. Regulation and influence characterized the relationship between fictional translation and fictional creation. Based on the analysis, the thesis maps a possible model for introduction and acceptance of literary works by a foreign culture, which offers a rather complete and clear picture of the complex factors that contribute to the final product----translation. The conclusion of this thesis is threefold: a) Translated works are products of decision-making by translators who negotiate between foreign influences and norms in the target system; b) The significance of creative theory should be emphasize in translation research; c) The criterion for a translator from that of a translation critic need to be dealt with separately.更多还原