【作者】 王莉；

【导师】 刘运好； 丁放；

【作者基本信息】 安徽师范大学 ， 中国古代文学， 2004， 硕士

【摘要】 萧纲宫体诗虽然存在着情调轻薄、风格艳丽甚至妖冶的弊端，却又是作者心灵与人性隐秘的真实袒露，表现出人性强化和人情浓化的特点，这恰恰是魏晋南北朝以来人的觉醒和文的自觉的产物。本文以文本研究为基点，并联系其审美理论，通过史的纵向描述和面的横向比较，力图对萧纲宫体诗进行全面系统的研究，阐释其在文学史上的存在意义。论文共分为五个部分。第一部分通过对萧纲行迹的系统梳理，阐释其创作历程。第二部分从精细工巧之美、轻歌曼舞之美、秾丽绮艳之美三个方面，论述其美学特点，勾勒其美学风貌。第三部分在文学本质论和文学新变论两个层面上，论证其审美理想的纵向发展。第四部分在史的纵向描述上，着重撷取《诗经》、宋玉辞赋、曹植诗赋、沈约诗歌中的女性形象，进行回溯，揭示了宫体诗产生的艺术土壤。第五部分，通过分析宫体诗和花间词的异同，从影响与接受上昭示宫体诗在文学史上的存在意义。概而言之，萧纲宫体诗的开拓就在于，全面而自觉地以女性为审美对象，在从自然向人性回归中，给创作和理论带来了新的生机，所以说非议中的萧纲宫体诗理应获得至少是批判性的认可。更多还原

【Abstract】 Although it has the defect of the frivolous sentiment and the gorgeous style which grows bewitching in Xiao Gang’s Gong-Ti poetry, it has merit of revealing the author’s spirit and exposing the secrets in human nature, which mirrors the characteristics of the enhancing of the human nature and the thickening of the human feelings. It is the product of the person’s awakening and the literature’s consciousness since the South and North Dynasty of Wei-Jin. Based on the textual study, the present thesis tries hard to study Xiao Gang’s Gong-Ti poetry comprehensively and expatiate on the value of the poetry concerned in relating to Xiao’s aesthetic theories on Gong-Ti poetry, the longitudinal historical description of female images in the pre-Gong-Ti poetry and the horizontal comparison on the features in Gong-Ti poetry with the later literary works.The present thesis comprises of five parts. Describing Xiao’s experiences in his life systematically, the first part explains the process of his literary creations. The second discusses the aesthetic features and draws the outline of the aesthetic style in Xiao’s works from three perspectives of its aesthetic perception: exquisiteness and neatness, softness and grace, brightness and gorgeousness. From the theories of the nature of literature and the reformation in literary creations, the third part probes into the development of his aesthetic theories on Gong-Ti poetry. Then the fourth part reveals the artistic foundation of the Gong-Ti’s poetry after tracing the female images back into Book of Poetry, Song Yu’ Ci-Fu, Cao Zhi’s Shi-Fu and Shen Yue’s poetry. The artistic value of Gong-Ti poetry is exposed in influence and acceptance by comparing the Gong-Ti’ poetry and the Hua Jian-Ci in the fifth part.In brief, the creativity of Xiao Gang’s Gong-Ti Poetry lies in the fact that it takes the female comprehensively and consciously as the aesthetic object, describes the return to humanity from Nature, and brings the vitality to the literary practices and theory. As a result, Xiao Gang’s Gong-Ti poetry in negative reproach should be affirmed critically.更多还原