汪曾祺小说传统意蕴和现代意识的阐释

【作者】 杨道龙；

【导师】 吴周文；

【作者基本信息】 扬州大学 ， 现当代文学， 2002， 硕士

【摘要】 汪曾祺的创作从建国前贯穿到建国后，对于他的研究众说纷纭，但往往只从侧重于某一方面的研究，而少宏观的概述。本文的目的即在于对汪曾祺横跨50年的创作作一整体关照，从内容上和形式上把握其创作的内涵，并力求挖掘出其创作留给当代文学的借鉴意义。 第一部分论述汪曾祺创作的传统意蕴。从其小说传统性的艺术表征和文化内涵两方面分开论述。指出他的小说既从形式上向古典美学借鉴，又从传统文化角度再现了乡土文化和民族心理。 第二部分讨论了汪曾祺小说中受阐议较少的现代意识。通过汪曾祺自身阐述的文学观念和其小说创作的倾向性结合分析。指出他的创作无论在题材的探索，写法的革新方面，还是在语言观念、体裁特色方面都含有显著的现代性，并且对中国八十年代以后的现代小说高峰的到来有着潜在的影响，对新时期的寻根派、先锋派小说也起着一定程度的先导作用。 第三部分阐述了汪曾祺小说传统与现代的艺术整合。指出汪曾祺“打通”的意识是这一美学整合的指导思想。“散文化小说”是这一思想实践下的“果实”，并且论述了这一“果实”在80年代文坛的先锋意义及对这以后文学创作的影响。更多还原

【Abstract】 Wang Zeng-qi’s works ran through before the establishment of the PRC and after it. The research on him is various but limited in a single profile. The aim of this dissertation is to sum up totally his works of 50 years from the content to the from, and tries to excavate the substance and the significance in his short stories in order to make the contemporary literature circle draw lessons from them.The first part of the dissertation covers the traditional characteristic of Wang Zeng-qi’s works, which can be divided into arts and culture. This part points out Wang’s short stories both draw lessons from classical aesthetics and embody country culture and national psychology.The second part of this dissertation discusses the modern ideology of Wang’s works from Wang’s literature ideas and his works ’tendency, which was formerly talked over little and analyzed in those articles on Wang Zeng-qi. It points out his creation is of modernity in the exploratory of theme, innovation of writing means, linguistic concepts, and distinguishing feature of forms of literature, which also has a potential and great impact on those writers in New Literature Period.Part Three expounds the integration of the idea of tradition and modern about Wang’s short stories. The ideology of "getting through " is the basic of this integration, and "Prosaic fiction" is the result that has a meaning of pioneer and enlightenment to the literature works after his, under the guide of the ideology.更多还原