无望的救赎——论阿多诺的文化工业理论

【作者】 张莉；

【导师】 王宗玖；

【作者基本信息】 河北师范大学 ， 文艺学， 2003， 硕士

【摘要】 阿多诺的文化工业理论表征着西方20世纪的一股哲学文化思潮，是从整体上对科学技术及科学主义的文化意义进行根本性的反思。阿多诺对文化工业的批判与对现代艺术的褒扬是紧密联系在一起的，这好比是一枚硬币的两面，在对二者的批判和褒扬中体现了阿多诺追求一种超越性的文化精神和追求文本背后的深层含义的思想。 阿多诺尽管承认科学技术创造了巨大的物质财富，但他更强调技术合理性的消极作用及其带来的文化危机。本文探究了阿多诺的文化工业理论的内涵，特征及其异化功能，试图透过对文化工业这一资本主义的文化体系的分析，揭示出文化工业的愚弄大众的本质。 任何伟大的艺术家，都是属于他的时代的，如果把他的思想无限放大，成为永恒的真理，则必将导致谬误；同样，阿多诺的思想也是带有鲜明的时代特征的，其思想产生的背景是资本控制下的高度技术化的文化工业生产。 文化工业理论不仅是西方学者对现代资本主义文化的批判性认识，而且也是对人类在里历史发展的某一阶段所面临的共同问题的思考，对我国当代文化产业的发展也有着不可忽视的作用。更多还原

【Abstract】 Adorno’s culture-industry theory characterizes a philosophical culture trend in the 20^th century of the West that rethinks technology and science and scienceism radically and wholly. Adorno criticizes culture industry and praises modernism art, which are tightly contacted and just like the two sides of a coin, representing that Adorno is pursuing an ultra-culture spirit and deep meaning of a text.Though Adorno acknowledges that science and technology creates a massive physical wealth, yet he emphasizes the negative effects of technology rationality and its cultural crisis. The thesis discusses the connotations, the characteristics and catabolism of Adorno’s culture-industry theory and tries to disclose the culture-industry’s special nature is to fool the public through analyzing culture industry, a culture system of capitalism.Any great thinker belongs to his era. If we magnify his idea unlimitedly, and make it an eternal truth, then it will become an error. Also, Adorno’s idea has the distinctive characteristic of an age but it influences the theories thereafter. The background of his thoughts comes from the culture-industry with high technology controlled by capital.Culture industry theory is not only the critical cognition of modern capitalism culture of the western scholars, but also the common problem, which the human society has to face up in the development of history. Undoubtedly, culture-industry theory has influenced the development of Chinese current culture-industry.更多还原