对“不似之似”的追问

【作者】 李淑辉；

【导师】 张晶；

【作者基本信息】 辽宁师范大学 ， 文艺学， 2001， 硕士

【摘要】 “不似之似”是对中国画意象性语言的描述，它体现了艺术语言复杂的内 部结构、丰富的本质内容、强烈的艺术张力。本文试从中国庄禅及西方现象学的角度对 其进行多层面的诠释。一，画面的表层是由意象、笔墨、章法构成一幅含动蕴势的氤氲 水墨，以浑化之形、相生之笔、应合之势尽现其律动、交融、混沌的艺术效果，牵引观 者趋向画面隐蔽的深层境域。二．从画面的表层至深层，要经过一段漫长的思悟之途， 是画家去除私蔽成见，以清静的本来之心，空观物形，见物本性，以想象来通贯、嵌合 心物之隔、此彼之间的心灵历程，并将其迹化为画。三，开启的深层境域是画面表层意 象的隐本之源，经由想象之思途的通达之所，是比天人于一之圆融，成万物本性之自由． 解囿识尘蔽之澄明的本真境界。“不似之似”体现了艺术的真实，画家的诗意生存。更多还原

【Abstract】 Similar and dissimilar" depiccs the.imagery language of Chinese painting. It embodys the complex internal structure, plenty essence content .strong tension of art language, this thesis try to annotate it though then: layers, from the angle of Daoist, dhyana and Phenomenology. The first, painting top layer is dense ink painting with stir and power, which is nK.de of imagery, brush and ink, composition. With its integral entity shape, mutual promotion brush, echo composition, fully reflects its sense of rhysming, mingleing, mess effect, drawing the appreiater to the concealed deep realm. The second; from top layer of painting to the deep layer, appreciater will pass a hard way of thought, by which the painter removes prejudice, empty observe the matter with his mind, link up heart and matter, with image, and mark it an paint. The.third, the opening deep realm is theconcealed source of the top layer, the place where imagination arrived, a realm mixing nature and human, the freedom of one’s own will, the clearness of removing the traditional, "similar and dissimilar" expresses the truth of art, the poetic living of painter.更多还原