【摘要】 作为2025年度文化征候，“slop”(“AI泔水”)当选韦氏词典年度热词，表征了AI时代传播生态从“内容价值导向”向“流量填充导向”的深层病理性转型。从传播政治经济学与互文理论视角对这一现象进行考察，发现其不仅是AI批量生产的低质内容，更是算法技术偏好、平台资本逻辑与受众审美惰性共谋的结构性产物。这一机制导致传播生态的审美降级、信息领域的“垃圾窒息”与创作领域的去创造性危机，引发了全球范围的技术焦虑与文化分野。只有借由数智人文主义重构技术与人类的共生关系，才能在AI时代重建兼具审美价值与公共意义的传播生态文明。更多还原

【Abstract】 As a cultural symptom of 2025, "slop" was selected as the Merriam-Webster Word of the Year, signifying a deep pathological shift in the communication ecology of the AI era from a "content value–oriented" logic to a "traffic-filling–oriented" one. Examined from the perspectives of the political economy of communication and intertextual theory, this phenomenon reveals that "slop" is not merely low-quality content mass-produced by AI, but a structural product of the collusion among algorithmic technological preferences, platform capitalist logics, and audiences’ aesthetic inertia. This mechanism leads to the aesthetic downgrading of the communication ecology, "garbage suffocation" in the information domain, and a crisis of de-creativization in the domain of cultural production, giving rise to global technological anxiety and cultural fragmentation. Only by reconstructing a symbiotic relationship between technology and humanity through digital humanism can a communicative ecological civilization that integrates aesthetic value with public significance be rebuilt in the AI era.更多还原