【摘要】 清华简《耆夜》记载了周初的一场饮至礼活动,主体部分是武王、周公即兴创作的五首诗歌。由叙事特征来看,《耆夜》最终成篇年代当与《左传》相当,不会早过春秋晚期。《耆夜》所记故事本身属历史事实,只是由后人进行了编撰与剪裁。武王所作的两首歌,表达了希望兄弟友爱、庶民团结、加强武备以及建立邦国的政治愿景。周公则代表群臣向周王表达臣属会尽职尽责、不敢懈怠的政治态度。《耆夜·蟋蟀》与《毛诗·蟋蟀》均是依据共同“母本”进行的再创作。在对蟋蟀这一物象的描摹及意象取舍方面,不同于《毛诗》,《耆夜·蟋蟀》并未指向及时行乐,而是强调岁月流逝,功业未竟,众人仍需努力,反映了周公的戒惧思想以及积极的政治态度。更多还原

【Abstract】 The Qiyè chapter of the Tsinghua bamboo slips records a ritual of feasting and reward(yinzhi li) in the early Zhou period,with the main content consisting of five poems improvised by King Wu and the Duke of Zhou. Based on its narrative features,the final compilation of Qiyèis likely contemporaneous with theZuo Zhuan,dating no earlier than the late Spring and Autumn period. The events recounted inQiyèare historically factual, though they were subsequently edited and shaped by later compilers. The two poems composed by King Wu express his political aspirations for fraternal harmony,unity among the common people,strengthened military preparedness,and the establishment of a stable state. The Duke of Zhou, speaking on behalf of the ministers and officials, articulated their political commitment to fulfilling their duties diligently and without negligence. TheCricket(Xishuai) in Qiyè and the Cricketin the Mao Edition of the Book of Songs(Mao Shi) are both re-creations based on a shared “prototype”. In terms of portraying and interpreting the imagery of the cricket,unlike theMao Shi,the Cricket in Qiyèdoes not advocate seizing the moment for pleasure. Instead,it emphasizes the passage of time,the unfinished nature of great achievements,and the need for continued effort,reflecting the Duke of Zhou’s sense of trepidation,self-discipline,and proactive political attitude.更多还原