【摘要】 神话诗学之名出现于20世纪六七十年代俄苏诗学蓬勃发展期。本文结合“俄罗斯诗学学派”整体发展背景，从神话研究传统及其与历史诗学的关联两个角度探讨神话诗学的理论特色和当代启示。1976年，梅列金斯基出版《神话的诗学》，这一著作继承19世纪俄罗斯学术传统，将神话与诗学结合在一起，使神话成为诗学研究的工具和手段，为俄罗斯现代诗学增添了新方向，其后这种诗学借助自身的跨学科属性而得到广泛应用，不仅成了文学作品分析的重要方法，而且为文学、文化、语言学和文艺学带来新的阐释动力，对重新审视神话与文学、符号学的关系具有重要的启迪意义。更多还原

【Abstract】 The term “mythopoetics” emerged during the flourishing period of Russian-Soviet poetics in the 1960s and 1970s. Considering the overall development background of “Russian School of Poetics”, this article tries to explore the theoretical features and contemporary enlightenment of mythopoetics from the perspective of the tradition of mythological studies and its connection with historical poetics. In 1976, Meletinsky published Poetika Mifa, a work, that inherited the 19th-century Russian academic tradition, combining myths with poetics. This integration made myths a tool and means of poetics research, and thus introducing a new direction to modern Russian poetics. Subsequently, mythopoetics has since been widely used with the help of its interdisciplinary attributes. It has not only become an important method for analysing literary works, but also provided new interpretive insights for literature,culture, linguistics and literary theory, and held significant implications for reconsidering the relationship between mythology, literature, and semiotics.更多还原