【摘要】 在剧场中插入“特写”加以强调，以此吸引和震撼观众，这在20世纪以来的舞台实践和相关探讨中经历了不同阶段的发展。传统“戏剧特写”以灯光、布景/道具、声音作为主要强化手法，将关键内容从整体舞台中抽离出来，加强观众对重要细节的感知。作为剧场与影像技术跨界的产物，“特写镜头”先后借助电影切片、录制影像与实时拍摄等方式进入剧场，发挥着渲染、间离、窥视等作用，继而打破舞台的视觉边界，拉近观众与舞台的距离。围绕剧场引进特写的做法，学界与业界众说纷纭，而这争论则促进了新方式、新技术的产生。剧场与特写镜头的融合，不仅重塑了观演关系，还拓展了剧场表达的维度与界限。更多还原

【Abstract】 The use of close-up techniques to draw attention and engage audiences in the theatre has evolved through multiple stages in both stage practice and scholarly discussion since the 20th century. Traditional “theatrical close-ups” relied primarily on lighting, sets/props, and sound to emphasize key elements, extracting important aspects from the overall stage to highlight critical details for the audience. Emerging at the intersection of theatre and imaging technology, cinematic “close-up shots” gradually entered the theatre through techniques such as film fragments, recorded video, and live filming. They served functions such as amplification, distancing, and intimate observation, breaking the visual boundaries of the stage and bringing the audience closer to the performance. Scholarly and professional opinion regarding the introduction of close-ups in theatre has been diverse, and such debates have fostered the development of new methods and technologies. The integration of theatre and close-up shots has not only reshaped the audience-performance relationship but also expanded the dimensions and expressive possibilities of theatrical presentation.更多还原