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数字文学的文学要素变革及其审美内涵

The Transformation of Literary Elements and Their Aesthetic Connotations in Digital Literature

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【作者】 程健; 孙慧;

【Author】 CHENG Jian;SUN Hui;School of Humanities and Arts, China University of Mining and Technology;

【机构】 中国矿业大学人文与艺术学院;

【摘要】 数字文学相较于网络文学的使用凸显了数字审美与技术整合的新质。一方面数字文学拓展了创作题材的来源,影响了创作主体与接受主体的地位关系,改变了文学文本内容与形式的生成模式。另一方面“文学四要素”的变革带来对文学审美性固有结构的冲击,主要表现在三方面:一是从外部对象切入,数字文学开辟了全新的审美空间,呈现出审美虚拟性;二是从文本内部切入,表现出审美多元化、碎片化、综合性的聚合;三是就传播机制而言,强化技术化审美的间接性表达和影响,表现出审美权力的让渡。

【Abstract】 At present, compared with online literature digital literature highlights the newness of digital coding and technology integration in this type of literary form. on the one hand, digital literature expands the source of creative themes, affects the status between the creative subject and the recipient, and changes the generation mode of the content and form of literary texts. On the other hand, the transformation of the “four elements” of literature has brought about an impact on the original structure of literary aesthetics, It has three main aspects: first, from the perspective of external objects, digital literature has opened up a new aesthetic space and presented aesthetic virtuality; second, digital literature shows the aggregation of aesthetic pluralism, aesthetic fragmentation and aesthetic comprehensiveness from the inside of the text; third, the indirect expression and influence of technical aesthetics should be strengthened on the perspective of the transmission mechanism, showing the transfer of aesthetic power.

  • 【文献出处】 齐齐哈尔大学学报(哲学社会科学版) ,Journal of Qiqihar University(Philosophy & Social Science Edition) , 编辑部邮箱 ,2024年05期
  • 【分类号】I0;TP399
  • 【下载频次】55
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