【摘要】 周作人在构建“人的文学”思想体系过程中，受中西方文化碰撞的洗礼，形成了一种浸染哀伤色彩的情结与文艺观。周作人的哀伤情结印证了心理学派的概念界定，同时又与其对社会变革的反思密切相关，其形成受到了中国传统文化与西方思潮的双重影响，并有着所处的没落旧式家庭氛围与个人先天抑郁气质的交互浸染。周作人在著译中将这种情结阐释为东洋人的悲哀、现代人的悲哀及凡人的悲哀等概念，这种哀伤情结与其著译、尤其是与希腊译介存在着显著的映照关系。更多还原

【Abstract】 In the process of constructing the ideological system of “human literature”, Zhou Zuoren was baptized by the collision between Chinese and Western cultures, forming a complex imbued with sadness and literary view. Zhou Zuoren’s sadness complex confirms the conceptual definition of the psychological school, and is closely related to his reflection on social change. Its formation is influenced by both traditional Chinese culture and Western literature ideological trend, and has the interactive influence of the declining old family atmosphere and is influenced by the interaction between the declining old family atmosphere and personal innate depression temperament. In his writings and translations, Zhou Zuoren interprets this complex as concepts such as the sadness of oriental people, the sadness of modern people, and the sadness of mortals. This sadness complex has a significant reflective relationship with his writings and translations, especially with translations of Greek.更多还原