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基于文化传承的翁墩剪纸视觉设计艺术创新实践

The Creative Practice of Wengdun Paper-cut Visual Design Art Based on Cultural Inheritance

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【作者】 陈阳; 刘超; 毛寒;

【Author】 CHEN Yang;LIU Chao;MAO Han;School of Architecture and Art, Central South University;

【通讯作者】 毛寒;

【机构】 中南大学建筑与艺术学院;

【摘要】 翁墩剪纸作为艺术创新的重要构成元素,为视觉设计及艺术创新提供了更多可能性。文章对翁墩剪纸的特点、视觉语言进行了研究与分析,重点阐释了从多层次的视觉设计形式到多形式的视觉表现,将翁墩剪纸诸多文化元素与视觉设计进行有机融合,从而实现翁墩剪纸传统与当代结合的视觉设计。以当代的时代特点与翁墩剪纸传统性相结合,突出翁墩剪纸的历史文化内涵以及独特的故事,从而设计系列图像以及其衍生应用。

【Abstract】 As an important element of artistic innovation, Wengdun paper-cutting provides more possibilities for visual design and artistic innovation.The article researches and analyzes the characteristics and visual language of Wengdun paper-cutting, focusing on explaining from multi-level visual design form to multi-form visual performance, and organically integrates many cultural elements of Wengdun paper-cutting with visual design, so as to realize Wengdun paper-cutting. A visual design combining traditional and contemporary paper-cutting. Combining the characteristics of the contemporary era with the tradition of Wengdun paper-cutting, highlighting the historical and cultural connotation and unique story of Wengdun papercutting, so as to design a series of images and their derivative applications.

【基金】 “综合设计”课程改革(编号:212190105);研究生案例库建设项目(编号:512220102);中南金课建设(编号:512030101)
  • 【文献出处】 湖南包装 , 编辑部邮箱 ,2021年03期
  • 【分类号】J528.1
  • 【下载频次】176
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