【摘要】 当代网剧兴盛,但大部分作品欠缺艺术性,且利用"腐"元素逐利的情况增多,因此,它们首先会被视作市场经济的商品,而不是包括女性主义在内的任何反中心的纯精神战场。联系文化市场,回归社会的物质文化批评,分别从物质文化属性、社会认知背景和个体意识反映三个方面对网剧"腐"化的现象作出客观分析,可以厘清:首先,这一现象由近阶段历史中的物质发展与社会思考引发,在影视剧市场中因迎合了年轻女性群体对世俗文化的需求而勃发;其次,靠"腐"媚俗投机的作品属于大众文化,来自于主流文化与精英文化的边缘,从侧面反映着这一历史阶段现代性的阈限;再次,"腐"文化的受众,亦是生成者在此社会现象中形成了特有的、新生的话语体系,有文化研究的价值。更多还原

【Abstract】 Online soap operas are flourishing,but most of the works are hardly artistic,with increasing usage of"Homosexuality"elements. They will first be regarded as commodities of the market economy,instead of spiritual and decentralized device. Therefore,in connection with the cultural market,based on the material cultural criticism,the phenomenon of"Homosexuality"will be objectively analyzed from material cultural attributes,social cognitive backgrounds and individual consciousness reflection. Following can be clarified: At first,this phenomenon is triggered by material development and social thinking in the recent history. The film and television market tend to cater to the needs of young women for secular culture. Then the speculative works relying on"Homosexuality"are popular culture. Peripheral from main stream culture and elite culture,it reflects the limitation of modernity in this historical stage. The audience of"Homosexuality"culture are also the generator who has formed its own unique and new discourse system in this social phenomenon. It shows the power to generate a new culture that must be addressed.更多还原