【摘要】 小说《山本》以井宗秀的发迹史与败落史作为明线,以陆菊人的观察史与觉悟史作为暗线,建立起一个"行动者"与"观察者"的对位关系,整部小说的叙述和主题始终在这一关系中展开。作者以对井宗秀命运的反讽式书写拆解了一再渲染的"天命观",使一个天命主宰一切的故事变成了一个人为欲望被异化的故事,井宗秀的一生由此成为一个"风月宝鉴"式的人性寓言,用以促成陆菊人的明悟。"行动"与"观察"变为"展演"与"觉悟",叙述结构成为主题生发的基础,也实现了贾平凹在反抒情中抒情、在实相中生发虚境的艺术追求。更多还原

【Abstract】 Shanben takes Jing Zongxiu’s history of development and decline as the bright line, Lu Juren’s history of observation and insight as the dark line, establishing a core structure of "actor" and "observer".The narration and theme of the whole novel are carried out in this structure. With the irony of Jing Zongxiu’s fate, the author deconstructed the destiny view, which made the story of a destiny dominating everything into a story alienated by human desire. Jing Zongxiu’s life has become a humanity fable to promote Lu Juren’s insight. "Action" and "observation" has become "exhibition" and "insight", and the narrative structure has become the basis of the theme implication, which also realized Jia Pingwa’s artistic pursuit of lyricism in anti-lyricism and illusory realm from reality.更多还原