【摘要】 从晚清至20世纪30年代,小报经历了萌芽至发展繁荣的过程。小报文人也就成为都市文化边缘中下层报人、文人构成的特殊文化群体,以及近现代市民阶层知识分子中的重要组成部分。1949年之后,随着中共新政权对民营报业的接管,很多旧时代小报文人或被遣散,自谋生路,或离开大陆,移居海外。那么对于小报文人这样一个"落后群体",中共的态度是否是摒弃,或是排斥。作者选择了夏衍作为研究对象,通过分析夏衍与小报文人交往关系的起源、发展与维系,揭示夏衍作为中共党员及新政府的文化干部代表,多年来所发挥的思想宣传影响及团结、改造小报文人的意义,从中探讨革命斗争中宣传与统战二者的关系,以及中国共产党推进文化统一战线政策的意义。更多还原

【Abstract】 From late Qing Dynasty to the 1930 s, tabloids in China experienced a process from germination to development and prosperity. Tabloid writers had also become a special cultural group composed of newspapermen and literati at the edge of urban culture, as well as an important part of intellectuals of the modern citizen class. After 1949, with the Communist Party of China taking over the private newspaper industry, many tabloid writers were demobilized to make their own living or left the mainland. For a"backward group"like tabloid writers, was the attitude of the CPC to abandon or to exclude them? The author chooses Xia Yan as the research object, and, through analyzing the origin, development and maintenance of Xia Yan’s relationship with the tabloid literati, reveals Xia Yan’s influence of ideological propaganda. The author also tries to reveal the significance of uniting and reforming the tabloid literati,making them representatives of CPC members and cultural cadres of the new government. This paper further investigates the relationship between propaganda and the United Front in the revolutionary struggle,as well as the significance of promoting the policy of the cultural United Front.更多还原