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安阳灵泉寺大住圣窟那罗延与迦毗罗神王组合图像的源流
The Origin and Development of the Combined Image about Nārāyana and Kapila in Lingquan Temple of Anyang
【摘要】 北魏时期,出现了一类新的神王组合图像。神王肩部的兽首形装饰、膝盖上的象首形装饰、甲胄上的人脸装饰,是这类神王组合图像所独有的特点。该类组合图像的出现,是佛教文化与祆教文化相互融合的产物。安阳灵泉寺隋代大住圣窟窟门两侧的那罗延与迦毗罗神王像继承了北朝时期该类组合图像的基本特征,并有所发展。唐五代时期的那罗延与迦毗罗神王组合图像,其直接的源头就是隋代大住圣窟窟门两侧的神王像,图像的特征是神王分别站立于牛形与羊或鹿形动物之上。
【Abstract】 In the Northern Wei Dynasty,there came out a new type of combined image about Lokapala. The beast head decoration on shoulder,the elephant head decoration on knee,and the human face decoration on armor of these Lokapalas are the unique characteristics of these combined images. These combined images are the product of the fusion of Buddhist culture and Zoroastrian culture. The combined image about Nārāyana and Kapila in the Lingquan Temple of Anyang has all the aforementioned characteristics and some changes. It is also the direct origin of the combined images about Nārāyana and Kapila during Tang and Five Dynasties. The new characteristic of the combined images is that these Lokapalas stand on the animals which are like bull,goat and deer.
【Key words】 Nārāyana; Kapila; combined image; Buddhism; Zoroastrianism;
- 【文献出处】 山西大同大学学报(社会科学版) ,Journal of Shanxi Datong University(Social Science Edition) , 编辑部邮箱 ,2019年05期
- 【分类号】J19
- 【被引频次】1
- 【下载频次】213