【摘要】 在传统文化逐渐式微和技术快速发展的当下,萌文化、宅文化日益由亚文化向大众文化转变,成为对萌宠需求的推动因素,并最终造就了真人版奇幻仙侠影视剧中CG萌宠的集中出现。CG萌宠角色在影视中的出现,既有我国当前的文化因素,也有消费者心理诉求的原因,本质上是对当下影视剧受众群体的心理镜像体现。当CG萌宠运用到我国真人版奇幻仙侠剧中时,不仅体现出类型化的特征,而且也是对CG动画本土化应用的突围。《捉妖记2》的得失恰恰说明,只有将传统剧作与数字特效进行无缝融合,才能塑造出深入人心的CG萌宠形象。更多还原

【Abstract】 As moe and otaku become mainstream, more and more computer graphic(CG) pets begin to emerge in Chinese fantasy films and television. CG pets are the application of the CG technology, and are also a mirror image of the audience. This article takes Monster Hunt 2 as an example, to demonstrate that only a successful combination of plot and technology could produce successful CG pets.更多还原