【摘要】 作为国家级非物质文化遗产的川北大木偶,系杖头大木偶,早在清朝初期,就盛行于四川北部的仪陇县马鞍镇石佛乡一带。近三个世纪以来,川北大木偶形成了人偶同台、亦假亦真、以假乱真的艺术特色。而第五代代表性传承人李乐,在其三十多年的表演生涯中锐志提升川北大木偶的表演技艺,在几个关键性环节中探索总结出了一系列值得珍视与推广的独门绝活与成功经验,即表演技艺中的"减振艺术""方位艺术""圆弧艺术"和"谐艺术"和"衔接艺术"。更多还原

【Abstract】 As the national intangible cultural heritage,the north Sichuan big puppets originated from the folk arts handed down from the older generations of the family are big puppets performed by the artists with a wooden stick to manipulate the movements. In the early Qing dynasty they were prevailed at Shifo,Maan town in Yilong county in the north of Sichuan. During the recent three centuries,the north Sichuan big puppets have formed some artistic features such as performers and puppets sharing the same stage,being true and false at the same time,mixing the false with the true,etc.. In more than thirty years’ performance practice,Li Le,the fifth generation representative inheritor,has been determined to improve the performing skills and has summarized a series of valuable unique talent and successful experiences in several key links that are worthy of popularization. These skills include the art of shock absorption,the art of orientation,the art of circular arc,harmonious art and cohesive art.更多还原