【摘要】 汉代郡县制和封国制并行,汉初诸侯几同战国,文士奔走其间,楚王刘交及嗣子郢客、吴王刘濞、梁王刘武、淮南王刘安均以招纳文学之士驰名。汉代散体大赋形成的标志性作品《七发》创作于景帝时,作者枚乘有战国策士遗风,其渊源肇自楚辞的"讽谏"思想成为汉赋的重要特征之一。武帝时实行"推恩令"、盐铁专营、铸币权收归中央等改革,其执政后期,诸侯实力大损,殆同郡县。随着诸侯的式微,在皇权的笼罩下,文士殆同俳优,汉赋的"讽谏"思想也大为减弱,其文体向"颂"的方向发展。扬雄居西南僻隅,沿袭汉赋正统,其否定文学创作的观念正是赋学新思潮与旧观念冲突的结果。更多还原

【Abstract】 Owing to the co-existence of prefecture system and vassal states system in Han Dynasty,the princes of early Han Dynasty was almost the same as those in the Warring States. Scribes followed princes,who Liu Jiao( Chu prince) and Ying-ke( heir),Liu Bi( Wu prince),Liu Wu( Liang prince),Liu An( Huainan prince)were famous for recruiting people of literature. Qifa was the symbolic work for the formation of poetry in Han Dynasty written in the Period of Emperor Jing,the author Mei Cheng inherited legacies of the Warring States,and allegorical admonition became one of the important characteristics of poetry in Han Dynasty. Since the implementation of a number of policies under the rein of Emperor Jing,strength of the vassal states has been reduced significantly. With the declining of vassal states,role of scholars was almost equivalent to a comedian,eulogy replaced the allegorical admonition. Han Fu orthodoxy of poetry in Han Dynasty was passed down by Yang Xiong,who lived in the southwest corner of China and his idea of negating the literary creation was the result of the conflict between the new thought and the traditional concept.更多还原