【摘要】 《周易》云:"形而上者谓之道,形而下者谓之器。"陶瓷"开光"以其"器"的形态,诠释对"道"的感悟和探索,"有形"器物的丰富性与多样性都根源于其"见象"的装饰之"道"。"开光"形制的形成过程中,装饰从属于适用和造型的规律之下的,是社会功能和时代审美、多元文化等深层因素的影响。开光跨越了从新石器时代的彩陶至现代陶艺的时间维度和东西方文化的地域空间,是传统装饰之道在当代的传承,可为相关领域提供典范性的启发。更多还原

【Abstract】 According to the Zhou Yi, we can learned that "Dao" is the carrier of the form and "Utensils" can realize it’s essence above the figure. Ceramic sanctifying interpreted the comprehension and exploration of Dao from the visible form of utensil. The richness and multiformity of the visible utensil originated from the Dao of decoration. Decoration subordinated to the rules of application and moulding was influenced by underlying factors such as social function, era aesthetic and multiculture in the process of "Blank-Leaving" formation. The "Blank-Leaving" is an inheritance of traditional decoration in the contemporary that has stepped over the time from painted pottery of the Neolithic Age to modern ceramic art and regional space between the Eastern and Western cultures. It can provide a paradigm for related design fields.更多还原