【摘要】 支遁首次以"理中之谈"作为辨析名理的审美标准,并贯穿于文学创作中,对东晋诗学产生了深远影响。"理中之谈"既产生于"即色游玄"的缘色证空的审美过程,又以"玄感不为"的审美心理为存在条件。从诗学发展上说,支遁融合玄释,将抽象之理引进诗歌创作之中,标志着东晋玄言诗的发展转向;圆融玄释、色空、二谛于山林物色的描写之中,追求色境与法境的统一,又标志着"山水佛教"的诞生,影响了山水审美意识的自觉和山水文学的勃兴。在审美范畴上,"理中之谈"与"象外之谈"、"神趣"说,构成了纵向的历史联系,既显现了东晋佛教美学的嬗变趋向,也显现了东晋以降诗学的嬗变趋向。更多还原

【Abstract】 Zhidun first proposed the "talk of philosophic theory" as the aesthetic standards for discriminating name of science.It ran through the creation of literature,exerting a far-reaching influence on the Eastern Jin Dynasty poetics.The "talk of philosophic theory" not only accrued from aesthetic process of "false truth" and also existed in aesthetic psychology of "intuitive aesthetic feeling".From the poetics development,Zhidun brought the Abstract theory into poetic creation,marking the metaphysical poetry development of steering in Eastern Jin Dynasty.His integration of metaphysical interpretation and emptiness and depiction of mountainous scenery,pursuing the unity of feeling and consciousness,also marked the birth of "landscape Buddhism",and influenced the aesthetic consciousness and the rise of landscape literature.In the aesthetic category,"talk of philosophic theory","meaning out of image" and "images outside of interest",constituted the longitudinal historical connection,showing the evolution of Eastern Buddhism aesthetics and the trend of evolution in the Eastern Jin Dynasty in the poetics.更多还原