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简论中国水墨人物画中造型观念的发展与变化

Development and Changing Process of the Sculptuing Concept in Chinese Inkwash Portraiture

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【作者】 吴柯

【Author】 WU Ke(Art School,Anyang Normal College,Anyang 455000,China)

【机构】 安阳师范学院美术学院

【摘要】 中国水墨画在中国绘画史上是一种非常具有代表性的画种。关于对造型的认识,水墨写意人物画一直在不断地完善和发展。随着西方绘画的引进,中国绘画在绘画造型观念上产生改变,西方绘画的造型艺术与中国绘画造型方法相融合,丰富了中国画的画面效果。这种造型观念的改变,使中国画坛上出现了不同的绘画风格。水墨人物画在继承传统的基础上吸收西方绘画艺术的优秀成分,能得到了更好的发展。

【Abstract】 Freehand inkwash painting in traditional Chinese painting is a kind of cross-sectional painting in the history of Chinese painting.On the view of sculptuing,freehand inkwash painting has been making progress continuously.Along with the indraught of western painting,change has taken place on the scluptuing of Chinese painting.The art of western painting sculptuing and Chinese painting sculptuing combined together,enriched the effectiveness of Chinese painting.This change made many different styles of painting appeared in Chinese art circle.With the development of our society,it is believed that inkwash portraiture,on the basic of inheriting good tradition,will absorb the advantages of western painting and make a greater improvement.

【关键词】 水墨人物造型观念发展演变影响
【Key words】 inkwash portraitureconcept of sculptuingdevelopmentevolvementeffect
  • 【文献出处】 商丘职业技术学院学报 ,Journal of Shangqiu Vocational and Technical College , 编辑部邮箱 ,2009年04期
  • 【分类号】J212
  • 【被引频次】1
  • 【下载频次】139
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