【摘要】 亭子间文化是20世纪30年代上海带有边缘性、激进性和波希米亚气质的青年亚文化。鲁迅认同左翼青年的基本文化精神而成为亭子间文化人的“浪子之王”,却又因其“权威”地位而不能摆脱被“浪子”们反抗的命运。更多还原

【Abstract】 The radical, marginal and Bohemian Garret Culture is part of the Shanghai culture in 1930s. Lu Xun approved of the basic cultural spirit of the left - wing youths and became the vanguard of the Garret intellects, but in his capacity as authority he was not able to shake off the fate of being resisted by them.更多还原