【摘要】 民国十八年(1929)之前,江、浙、沪三地的滩簧活跃于上海的演艺场所、家庭堂会,开创了男女合演的表演形态,时装戏成为主流性的滩簧剧目。民国十八年,苏滩在上海的滩簧坐唱中,影响最大,而时装戏基本上由申滩演出。申滩之所以能演出具有现代戏曲性质的时装戏,其原因有四点一是受电影、话剧的影响,二是有深厚的社会基础,三是突破了家庭成员组班的模式,四是由剧院老板投资,解决了资金问题。更多还原

【Abstract】 Before 1929, tanhuang opera of Jiangsu, Zhejiang and Shanghai was popular in theatres and home celebration of Shanghai, starting the style of actors and actresses performing together on the stage and making fashion opera the main form of tanhuang. In 1929, tanhuang of Jiangsu had the greatest influence in the form of seated singing while tanhuang of Shanghai was famous for the fashion opera. Fours reasons are responsible for Shanghai tanhuang modern opera: first, it was influenced by movie and drama; second, it was supported by society; third, it broke away from the pattern of family troupe; fourth, it was free from financial problem as it was invested by theater owners.更多还原