【摘要】 中国画史上概括造型过程的概念是写形、立象 ,这两个概念包含了写形求形似、立象为尽意的内涵。中国画的形象是一种提供轮廓线与结构线、要求观者通过联想补充块面而形成的立体形象 ,并非是一种“平面构成”。中国画的形象特点制约着中国画的立意、线条、色墨 ,因此探讨中国画的发展应充分注意象、意、线、色的相关性更多还原

【Abstract】 The concept of mould making in traditional painting embraces the two concepts of figure describing (xiexing) and image creating (lixiang). The formers target is to make the figure of object alike in appearance, while the latter is to convey the idea of painter by the images. The figure of Traditional Chinese painting is not a planiform, but a stereopicture that is structured by linear definition and linear structure as well as the surface imagined by viewer. To show approach, to use line, and to arrange color and ink, are restricted by the characteristic of images in traditional painting, so that enough attention should be paid to mutual relations among image, idea, line and color in traditional Chinese painting.更多还原