【摘要】 现象学美学代表茵加登将文本划分为语音层次、意义单元层次、图式化观相层及再现客体层。从这四个异质层次出发 ,在文本整体的观照下逐层剖析《幽会》一诗 ,最终可彰显出原文的内在意蕴 ,并可看出其对翻译活动所具有方法论的指导意义。更多还原

【Abstract】 Accrding to Roman Ingarden,a representative of phenomenology and aestheticism,every literary work is composed of four heterogeneous strata,namely,words sounds and phonetic formations of higher order,meaning units,schematized aspects,and represented entities.Starting form these four heterogeneous strata,this paper tries to provide a complete analysis of the poem Meeting at Night to illuminate the “metaphysical quality” in the original text and its significance in translation.更多还原