【摘要】 梅意象的建立,既是一种社会历史的演进,又是一种文化传统的渗透。六朝是咏梅诗的初兴期,唐朝是咏梅诗的成熟期,宋朝则是咏梅诗的巅峰期。梅意象与中国传统的道德文化相互结合,表现出一种不随流俗的品格和坚贞傲岸的精神,历代咏梅诗作又是中国传统贬谪文化的综合反映。更多还原

【Abstract】 The establishing of the imagery of plum is not only a process of social history evolving, but also a course of cultural tradition penetrating. The plum chanting poems sprang up from the Six Dynasties, matured in Tang Dynasty, and peaked in Song Dynasty. The reciprocal combination of the imagey of the plum and the Chinese traditional ethic culture reflects a character of no conventional pattern and a spirit of remaining faithful and unyielding. The plum chanting poems of successive dynasties are also a comprehensive reflection of Chinese traditional derogating culture.更多还原