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再谈艾青的诗歌散文美理论

Ai Qing′s Aesthetic Theory of Prose in Verse Revisited

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【作者】 谢向红

【Author】 XIE Xianghong(School of the Humanities and Social Sciences, Jiangsu University, Zhenjiang 212013, China)

【机构】 江苏大学人文社会科学学院 江苏 镇江 212013

【摘要】 艾青的诗歌散文美理论包括语言的口语化、体式的自由化和创作的形象化三层含义。其诗学意义体现在四个方面:对新诗大众化进程的推动、对30年代新诗弊端的矫正、对新诗现代化命题的承担和对主体表现需要的满足。

【Abstract】 Ai Qing′s aesthetic theory of prose in verse includes three main parts: language of common speech, free verse style, and poetic ideas conveyed by means of images. If placed in historical perspective, his aesthetic theory and poetics were of primary importance in the following four aspects: to help New Verse, that is, free verse written in the vernacular, gain in popularity, to redirect the misguided goal of New Verse in the Thirties, to write verses out of the fresh and modern subjects, and to inherit the lyrical tradition of selfexpression.

  • 【文献出处】 江苏大学学报(社会科学版) ,Journal of Jiangsu University , 编辑部邮箱 ,2002年04期
  • 【分类号】I207.42
  • 【被引频次】1
  • 【下载频次】245
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