【摘要】 略萨是结构现实主义小说的代表作家 ,主张“立体”地反映多样化的现实生活。为此 ,他在创作中积极引进了立体绘画艺术中的“粘贴”、“并置”等技巧 ,把多个故事的多个片段打乱并置在一起 ,既像色彩斑斓的粘贴画 ,又像细碎零件的有机组合 ,在时空交叉、跳跃中 ,多层面、多维度、多棱体地反映了现实生活的原生态。这样 ,小说的叙事就成为“立体”的 ,而读者的阅读随之也成为“立体”的了更多还原

【Abstract】 As one of the authorsrepresentatives on the structure realism,Llosa maintains that one should reflect the various reality"cubicly".So,he actively introduces some special skills of the cubic painting art,just as"paste up"skill,and "displaying the multiple but different parts simultaneously".Thus,during the narration,various plots of different stories are cut into lots of parts and displayed scatteredly and illogically,just like the colorful paste up painting and the mechanic assembly of straggling parts.During the cross cutting and leaping of the plotsspace and time,the narration relfects the reality nature from all layers and sides,multi dimensions and angles.Therefore,the narration of novels becomes"cubic",and the reading of the readers accordingly becomes"cubic"too.更多还原