【摘要】 “天人合一 ,物我交融”这一古老独特的审美思想 ,在艺术创作与实践中 ,呈现一种不同于西方的纯东方的审美意蕴 .它既是物的人化 ,也是人的物化 ,中国传统的绘画艺术无不追求这样的一种品位 .这种审美追求在某种意义上 ,仍具有很强的现代性 .我们应领悟和把握我们民族艺术的精髓 ,使艺术创作兼具民族特色和时代感 .更多还原

【Abstract】 Heaven and man combined into one, things and people mingled completely”,this old, unique aesthetic conception shows a pure eastern kind of aesthetic connotation in artistic creation and practice which is brand new to the west.It is the humanization of the object and the objectifying of the human as well ,which has been pursued by the traditional Chinese art unamimously.To some extent, this kind of a aesthetic pursuance still has strong modernity.We’re supposed to comprehend and grasp the quintessence of our national art,thus our artistic creation can manage to get the feature both of Chinese tradition and of the new age.更多还原