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布莱希特与梅兰芳
Bertold Brecht and Mei Langfang
【摘要】 本文论述了布莱希特与梅兰芳两位现实主义大师,运用的戏剧手段却各有巧妙不同。布莱希特戏剧理论的最基本特征是:主张演员和角色之间、观众和演员之间、观众和角色之间必须保持一定的距离。梅兰芳是中国传统戏剧最具代表性最成熟的代表,这种传统戏剧同西方戏剧区别甚大——确实根本不同。
【Abstract】 This article discusses that Brecht and Mei Lanfang are two great masters of realism, yet each has his own ways and methods of expression. The most fundamental thing in Brecht s theory of drama was his conviction that a certain distance must be maintained between actors and characters, audience and actors, audience and characters. MeiLanfang was the most mature representative of the traditional Chinese theatre, a theatre vastly different---indeed, fun-damentally different--from that of the west.
- 【文献出处】 湖北广播电视大学学报 ,Journal of Hubei TV University , 编辑部邮箱 ,2001年03期
- 【分类号】J703
- 【被引频次】5
- 【下载频次】222