【摘要】 综观钟惺诗论，已隐然有着完整的体系且见解深刻。如在本质论的认识上，传统的“性倩说”是种从表达和描述的对象上来界定的初级本质论。钟惺在此基础上，从历史和哲学的层面上从识到了“审美性情”这种较为高级的诗歌本质论。其诗歌创作以独特的“幽深孤峭”的风格在明末诗坛刮起了一阵竟陵旋风。但相比之下，其诗歌实践与理论有相当大的偏差。本文试从社会和个人诸方面探讨产生这种偏差的原因。更多还原

【Abstract】 The author’s comprehensive survey of Zhong Xing’s poetic theory has revealed its complete system and pro- found view on poety. In cognition of essentiality, for instance, the traditional’ poetic temperament’ was claimed to be a kind of primary thesis on essentiality defined by means of the objects as they were expressed and described in poems. Based on this point,Zhong Xing realized’ aesthetic poetic temperament’ as a more advanced thesis on poetic essentiali- ty from both historic and philosophic aspects. His poetry creation, characterized by his unique style of’ deep-secluded- ness and lonely vigorousness’, brought about a tremendous shock to the circle of poets in the late Ming Dynasty, a shock known as ’the whirlwind of Jingling School’. Unfortunately,Zhong’s creative practice failed to keep track of his own theory. In this paper the cause of such a drift is discussed in connection with factors such as sociology and personality.更多还原