【作者】 杨帆；

【导师】 胡晓明；

【作者基本信息】 华东师范大学 ， 中国古代文学， 2019， 博士

【摘要】 物候,是关于时间的永恒话题。天地无言、四时流行,随处可见的春花秋虫、夏荷冬雪,时刻提醒着时间的流动与循环。具体的物候为诗人敏感的情绪所捕捉,时空的鸣奏与诗人心灵的交织共鸣,方构成物候诗歌的世界。这是古典中国所特有的物我相感之美感经验,宋代诗人创作的大量物候诗则正可以唤起我们文化基因中对古典心灵感应的记忆与追索,提示我们人应如何与天地自然相生相处。全文共十三章。绪论:介绍本课题的研究现状,及本文的研究方法与不足之处;主体分为三个部分。上篇,宋代物候诗学之定义与理论概述。第一,物候诗学界说;第二,宋人对物候诗学的认知与自觉;第三,四时流行中的宋代物候诗。中篇,冬去春来:宋代物候诗学之个案及宋诗特色。第四、以梅花物候为例,讨论宋代物候诗之明星物候与君子哲思。第五、以河豚物候为例,讨论宋代物候诗之思致理趣与物候密码;第六、以杏花物候为例,讨论宋代物候诗之唐宋比较与地域歧异;第七、以燕子物候为例,讨论宋代物候诗之节序秘语与敬天爱物;下篇,苦夏三秋:宋代物候诗学之个案及宋诗特色。第八、以荷花物候为例,讨论宋代物候诗之江南意象与清凉美学;第九、以蚊子物候为例,讨论宋代物候诗之生活趣味与体物入微;第十,以菊花物候为例,讨论宋代物候诗之报保包义与扬弃悲哀;第十一,以鸿雁物候为例,讨论宋代物候诗之物候并举与南北差异。结论:唐宋诗比较下的宋代物候诗学之特点,及宋代物候诗学之物我相感与现代文论价值。本文以唐宋诗之比较为重点,以四时为序,结合具体的物候个案,分析研究宋代物候诗学的特质,以及相对于唐诗的美学特点与时代精神;同时,通过对宋代物候诗学的探索,拟分析古典中国所共通的美感经验。更多还原

【Abstract】 Phenology,is an everlasting topic about time.The heaven and seasons flow with no words,but the flowers plants and animals constantly remind us of the flow and circulation of time,from spring to winter.Specific phenological phenomenon were caught by the sensitive emotion of poets,and the sonata of time and space had a resonance with the soul of poets,in this way the world of phenological poetics was build.This is the unique aesthetic experience of inductance between me and everything.Our memories and research towards the inductance to the classical minds,which is rooted in our cultural gene,can be summoned up by all the amounts of phenological poems written by poets of Song.This paper is divided into the following parts: The introduction;The major part of the paper is divided into three parts.Part One: The theory summary of phenological poetics.Chapter 01,Definition of phenological poetics;Chapter 02,the cognition and consciousness of phenological poetics from the poets in Song dynasty;Chapter 03,the phenological poetics of Song in the circulation of seasons;Part Two: From winter to spring: Specific case study of phenological phenomenon,and character of Song poetics.Chapter 04,research on the phenological superstar in Song dynasty,and the philosophical thinking from the gentle,take the plum blossom as an example;Chapter 05,research on the ideological and interesting,also the code of phenology of phenological poetics of Song,take the Puffer fish as an example;Chapter 06,research on the poetics comparison between Tang and Song,and differences among regions,take the apricot blossom as an example;Chapter 07,research on the fun of living and careful observe on tiny organisms,take the mosquitoes as an example;Part Three: From summer to autumn: Specific case study of phenological phenomenon,and character of Song poetics.Chapter 08,research on the poetics image of Jiangnan,and the refreshing aesthetics of phenological poetics of Song,take the lotus as an example;Chapter 09,research on the secret language of season,the respect to the season,and love for the living,take the swallow as an example;Chapter 10,research on the three words and meaning names “Bao”,and the sublation of sadness,take the chrysanthemum as an example;Chapter 11,the comprehension between different phenological phenomenon and regions,take the swan goose as an example.The conclusion: the conclusion of comprehension between poetics of Tang and Song;and the modern value of ancient literary theory of phenological poetics of Song,and the inductance between me and everything.The poetics comparison between Tang and Song will be the key point of my study.Comparing to the spirit of age and the aesthetic characteristics of Tang,we will try to figure out if there is something different from phenological poetics of Song dynasty,by specific case study of phenological phenomenon,in the order of season.In the meantime,by researching on the phenological poetics of Song,it will be an important topic to analysis some of the aesthetic experience,which has been well known in the classical Chinese culture.更多还原